You Get Me

There’s not much that You Get Me actually “gets” other than a few unintentional, campy laughs.

As for me, this movie helped me “get” something: Bella Thorne’s acting career.  Thorne, known recently for her off-screen antics, has no problem playing a teenager.  As long as she’s asked to fulfil the bare minimum of a young role (The DUFF, Tyler Perry’s BOO! A Madea Halloween), she comes through.  The actor, however, struggles tremendously with a meatier “teenager with a twist” – a young adult with an addiction, a secret, a transformation, or all of the above.

In Netflix’s You Get Me, Bella Thorne plays Holly Viola, a high schooler with stalker tendencies and a harmful past.  There are scenes in You Get Me where Thorne has to portray heartbroken confusion and anger after being shunned by her one-night-stand-turn-crush Tyler (Taylor John Smith).  We can see her internal monologue happening on screen, but she’s trying too hard to communicate it;  resulting in an unbroken, rattled stare that’s comparative to watching your overheating laptop turn itself to sleep.  This is a shame considering You Get Me offers Bella Thorne a soft breakout into more adult material – a squandered opportunity indeed.

In her defence, You Get Me is an embarrassing and incompetent thriller that gives Thorne (and her co-stars) nothing to work with and makes everyone appear unprofessional.  It’s also an unfortunate first-time feature effort from screenwriter Ben Epstein and director Brent Bonacorso.  Just like a bad meal, I’m sending it back – You Get Me is hardly releasable.  If this finished film – with its sloppy continuity errors, awkward music cues, lifeless narration, slut-shaming story, and sleazy eroticism – is an example of what this duo wants to achieve, they either need to “get” the generous chance for a do-over, or “get” sent tuition for the nearest film school.


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