Addison Wylie

Reviews

Line of Descent

Are you still thirsty for crime movies after soaking in The Irishman?  You might want to give Line of Descent a shot.  In no way is Line of Descent in the same league as Martin Scorsese’s masterpiece, but it’s a solid pick for people looking for to be entertained by lighter popcorn fare after watching Netflix’s consequential epic.

Reviews

The Body Remembers When the World Broke Open

Walking home on a dreary day in Vancouver, Áila (Elle-Máijá Tailfeathers) finds herself in the middle of an altercation between a surly man and a meek Indigenous woman.  The woman, Rosie (Violet Nelson), has been roughed up.  With instinctual grace and with Rosie’s permission, Áila steps in and separates Rosie from this argument, and invites the stranger into her house for safety and comfort.

Reviews

The Nightingale

The Nightingale is Jennifer Kent’s filmmaking follow-up to her cult hit The Babadook.  Continuing her career in discovering horror threaded within suppressed memories, Kent weaves a period drama about redemption after trauma.

Reviews

Varda By Agnès

I’m a late arrival to Agnès Varda’s career and, considering she passed away earlier this year, I thought I was too late to start appreciating her filmmaking.  But what her final film Varda By Agnès has taught me is that it’s never too late to share or be inspired.  And because the film has been made with compassion and love, it never feels like a pretentious exercise.