Ever since the the death of Leonard Watson in 2006, aspiring filmmaker Kurtis Watson has struggled to find closure and understand his Dad’s decision to commit suicide. It’s been an upsetting topic for his family, who are either still grieving or are more in the dark than Kurtis about the tragedy.
Let’s start with the title: Do Not Expect Too Much from the End of the World. Writer/director Radu Jude sets the stage with that seemingly pessimistic branding. However, as the film works down from that title, the audience experiences a different interpretation. While that phrase may be a downbeat premonition, it’s a reminder of how being satisfied with your wellbeing is crucial in a disappointing time that never seems to stop “going”. Basically, it’s an…
The narrative represented in Jeanne Du Barry is more of a historical timeline walkthrough. There isn’t a plot-based backbone, and the film isn’t necessarily character driven either. Instead, the audience is presented with important people from a specific era, their individual impacts, and the decadence that surrounded them. That may not sound like much of a movie, but this biopic’s secret weapon is the filmmaker’s love for the subject matter. If I want someone to…
Newfoundlander director Christian Sparkes (Hammer) seems as though he dipped into A24’s back catalogue to draw inspiration for his effective east coast chiller The King Tide. While there may be stylistic similarities to David Eggers’ work (The Witch, The Lighthouse) and Ari Aster’s movies (Hereditary, Midsommar), Sparkes’ ominous dramatic thriller doesn’t necessarily resemble Canada’s usual output. At least, not since Denis Côté’s Ghost Town Anthology.
An unofficial cut of Stanley Kubrick’s The Shining titled The Shining Forwards and Backwards supposedly features hidden meanings and themes when a reversed version of the movie is superimposed on the original. Filmmaker Steve McQueen (director of the Oscar-winning 12 Years a Slave) applies a similar narrative with his very ambitious (and very long) documentary Occupied City. But instead of mirrored images, McQueen presents several locations around Amsterdam and has narrator Melanie Hyams recite the…
The People’s Joker feels as if it comes from the nichiest corners: an autobiographical mixed media art piece, based on the filmmaker’s own trans coming-of-age, that reclaims pop culture as a way to personally convey and connect the past to the present. But as specific as The People’s Joker may sound on paper and as polarizing as it appears on screen, this wickedly transgressive tragicomedy is one of the most accessible films ever contributed to…
By: Trevor Chartrand I recently covered 2023’s A Disturbance in the Force, the documentary about the Star Wars Holiday Special. Now, if there’s anything to take away from that doc, it’s that bipedal apes grunting at each other for 90 minutes doesn’t exactly qualify as captivating entertainment. It’s a lesson directors David and Nathan Zellner would have benefited from before making Sasquatch Sunset.
Fun fact: did you know, in 2024, there’s been more films about the holocaust than movies about killer spiders? I suppose this isn’t really an odd coincidence considering audiences don’t often see movies about killer spiders. But also considering Sting is currently playing in theatres and Infested streams on Shudder by the end of April, it’s a bit weird the arachnids are still outnumbered.
