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Lee

The assumption to presume there’s a personal connection between director Ellen Kuras and photographer Lee Miller, the subject of Kuras’ feature-length narrative debut Lee, isn’t that rash.  An obvious interest for camerawork is shared between Kuras and Miller, and the passion for the craft may have also rubbed off on star Kate Winslet (who Kuras has worked with previously on Eternal Sunshine of the Spotless Mind and A Little Chaos, and is credited as an executive producer on Lee). …

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The Forest Hills

The Forest Hills is a pulverizing experience.  The audience is constantly led astray by too many dead ends in the story.  But on the other hand, Shelley Duvall.  Movie goers are senselessly deafened by an ungainly and painful lead performance by Chiko Mendez.  But then again, Shelley Duvall.  Starlets from classic horror movies appear in extended cameos to bait movie buffs along, but their performances are flat.  But also, Shelley Duvall.

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The Outrun

In The Outrun, Rona (Little Women’s Saoirse Ronan) finds herself using alcohol as a coping mechanism.  However, she’s also aware that she may be abusing the escape from reality.  Trying her best to occupy herself with passions, relationships and changes in scenery, her inability to control urges to binge drink distances herself from her parents and her selfless boyfriend Daynin (Papa Essiedu), as well as places her in harm’s way.

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Frankie Freako

By: Addison Wylie Steven Kostanski is a gifted filmmaker who can effortlessly emulate styles and fads of the past.  But for as resourceful and accurate as he is, Kostanski has a habit of working in reverse; placing more attention on the final product rather than thinking about who his work should be geared towards.  However, Kostanski’s recent sci-fi/buddy comedy Psycho Goreman suggested that the writer/director was considering his viewers more.  His latest indie Frankie Freako, a throwback with similar…

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You Gotta Believe

You Gotta Believe is a sports movie that’s as hokey as you could, well, believe. Based around the true story of Little Leaguers who made an impression on sports fans when the team earned a ranking in 2002’s Little League Baseball World Series championship, You Gotta Believe pulls out all the stops to grab families by their heartstrings. However, the film doesn’t feel manipulative. As he exhibited in his heavier sports drama 12 Mighty Orphans, director Ty Roberts…

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The Becomers

By: Trevor Chartrand The Becomers is a highly entertaining sci-fi/comedy that does body-swappin’ on a budget. Written and directed by Zach Clark (Little Sister), the film is a testament to the advantages of a well-told simple story.

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Die Alone

Die Alone is the latest from WolfCop director Lowell Dean, but it’s a much more sombre effort from the Saskatchewan filmmaker.  Still firmly rooted in horror within an undead dystopia, Die Alone is a tricky thriller that challenges its characters in unorthodox ways.

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Red Rooms

Red Rooms offers the best kind of challenge for its viewers. Despite being impressed by the filmmaking, the writing, and the acting, we feel a relentless wave of dread as the film confronts extremely uncomfortable subject matter and an unreliable lead character.