Festival Coverage

Festival Coverage

Canadian Film Fest ’19: Nowhere

Nowhere is difficult to discuss without skimming spoilers, especially since the film deserves to stay a secret for new audiences.  What I can safely share is that this thriller is comparable to last year’s winner Searching.  But, while both movies are about a parent trying to find their missing child, each movie has its own efficient approach.

Festival Coverage

Canadian Film Fest ’19: Nose to Tail

In the heart of Toronto’s entertainment district, high-end restaurants hold their own against competition and stress, or so we assume.  This facade, however, becomes too much for Daniel, a well-versed chef with a bad reputation and unhealthy work ethic.  Over the span of a day in Nose to Tail, Daniel’s life spins out of control as his attitude costs him his staff and his family, and possibly the last chance he’ll get in the business.

Festival Coverage

Wylie Writes @ What The Film Festival ’19

In a city oversaturated by film festivals, it is nearly impossible to find a festival that isn’t somehow derivative of others.  While many festivals have something to offer to a small, niche audience, it often seems like it’s all been done.  And yet, occasionally, you find something wholly unique;  something that suggests that, not only is there no similar festival in Toronto, it may well be the only festival of its kind in the world….

Festival Coverage

Wylie Writes @ The 2018 Toronto Reel Asian International Film Festival

The Toronto Reel Asian International Film Festival (Nov. 8 -16) has ended yet another successful run, continuing to offer filmmakers and storytellers an integral platform to connect with audiences.  I was fortunate enough to catch a couple of the feature films programmed at this year’s Reel Asian Film Festival but, unfortunately, I was left feeling underwhelmed by my selections.

Festival Coverage

Toronto After Dark 2018: ‘Extracurricular’, ‘Lifechanger’, ‘Nightmare Cinema’, and ‘You Might Be the Killer’

Extracurricular (DIR. Ray Xue) As the Canadian pop-punk band Sum 41 once sang, “motivation, such an aggravation.”  That seemed to be Ray Xue’s complaint as well when he was directing Extracurricular, which is the only way to explain why anything in this film happened.  Long time readers may recognize the number one rule of TAD: if a film is having its world premiere here, it will be terrible.  This is not a knock against any of…

Festival Coverage

Toronto After Dark 2018: ‘I Am a Hero’ and ‘Satan’s Slaves’

I Am a Hero (DIR. Shinsuke Sato) I Am a Hero is long.   That is not often how a review will start, but that may be the most remarkable thing about this new zombie film from Japan – running at over two hours, it is needlessly long.  Otherwise, it doesn’t reinvent or make any new addition to the zombie mythos, it doesn’t have anything interesting to say, and it doesn’t really pick up until the third…

Festival Coverage

Toronto After Dark 2018: ‘Prey’ and ‘Robbery’

Prey (DIR. Dick Mass) Sometimes viewers are given the rare pleasure of experiencing a film that, by all intents and purposes, should be awful.  Whether because of its genre’s history or just a general sense of ridiculousness, these films need to be dead on arrival, but sometimes a film is way better than it has any right to be.  Dick Mass’ Prey, a film about a giant man-eating lion causing carnage in the streets of Amsterdam,…