Hunt, directed by Squid Game Emmy-award winner Lee Jung-jae in his filmmaking debut, is an action-packed thriller that hits the ground running.
Articles by Addison Wylie
Baking All the Way fits in with the company of schmaltzy holiday flicks, but the cast’s genuine charm elevates this festive flick.
The winter holidays are fast approaching, and ’tis the season for an onslaught of Christmas movies. While most of these movies are usually found on cable or on subscribed streaming services, this will be the second year that Vortex Media screens a seasonal flick in select theatres before it heads to Super Channel.
Blue’s Big City Adventure, the first feature-length outing for the problem-solving pooch, is a comfortable ride for fans of Nickelodeon’s long-running interactive franchise Blue’s Clues. The movie fits the traditional narrative flow of the program while also exploring a personal scope without calling attention to its own cleverness.
Spirited, an extravagant musical which I can only assume is Apple’s most expensive production to date, checks all the right boxes and then some.
Falling for Christmas is Netflix’s kick-off for its seasonal programming and Lindsay Lohan’s return to headlining movies. It’s underwhelming on both counts.
Alex Phillips’ feature debut All Jacked Up and Full of Worms plays out like a never-ending string of hallucinations. It’s never clear what’s actually rooted in reality and the movie becomes so surreal, it’s impossible for it to return to normalcy.
Filipino American comedian Jo Koy (known for his Netflix specials Live from Seattle and Comin’ In Hot) makes his debut as a leading man in Easter Sunday, a loosely autobiographical comedy that draws on cultural and family dynamics to conjure relatable situational comedy.
Jordan Peele has quickly proven to be a filmmaker with a lot on his mind, which he then translates effortlessly to the screen. His intelligent writing for Get Out earned him an Oscar, and Us convinced audiences that Peele’s feature-length debut wasn’t just a fluke. Peele’s third film, Nope, allows the writer/director to expand his scope; both with his screenwriting and as a visual storyteller.
Henry Selick (The Nightmare Before Christmas, James and the Giant Peach, Monkeybone, Coraline) is a gifted visionary. Even when his stop-motion animated movies become too outrageous or “out there”, it’s a pleasure watching him throw caution to the wind to create art. Selick has teamed up with Netflix and Academy Award winning screenwriter Jordan Peele (Get Out) for his latest stop-motion horror-fantasy Wendell & Wild, a freaky flick involving an orphan making a connection to the afterlife to make…