Fred Wolf and Peter Gaulke have a calling for slacker comedy, though their sense of humour hasn’t been well-received. They collaborated on Happy Madison’s Strange Wilderness, and while that film is pitiful, it’s also exactly what it set out to be – a scrappy stoner comedy conceived by a crew of people who must’ve been on heavy hallucinogens during the making-of. In that sense, it finds success as a guilty pleasure that willingly goes in some weird…
Articles by Addison Wylie
The How to Train Your Dragon series receives a fulfilling finale with The Hidden World, a sensational sequel that not only ties its saga back to the creation of legendary stories, but also features the best visuals DreamWorks Animation has ever produced.
Ryan White’s The Case Against 8, while very good, was a straightforward example of the documentary genre’s expectations – the film explained a controversial issue, gave a platform to those opposing it, and gave viewers an uplifting feeling about an encouraging future. White’s latest doc Ask Dr. Ruth, while also very good, is different. It presents facts in a way that’s much more personable.
This Is North Preston is a spinning top. One moment, you’ll have your mind made up about what the documentary is presenting only to have your opinion changed a few more times. I was so gobsmacked by the end that I was almost inclined to rewatch the film to see if my opinion would change again – I dare you to find a more riveting documentary than this.
Shadow is a Shakespearean samurai movie that only sags when it’s not showcasing its stunning fight choreography.
A feature-length story being dissected into individual short films is a concept full of possibilities, only to be expanded on when three filmmakers sign up to shape the narrative. Canadian thriller Ordinary Days take a swing at this challenge but, unfortunately, produces weak results.
Biohacking receives the Super Size Me treatment in Ann Shin’s trippy documentary Smart Drugs.
Breakthrough will make you believe. While movie goers devout to Christianity may immediately apply that statement to the film’s faith-based structure, Roxann Dawson’s movie reenforced my belief in the kindness of people.
The White Crow, written by Oscar nominee David Hare (The Reader) and directed by Harry Potter actor Ralph Fiennes, goes against the usual conventions of a biopic.
Assholes: A Theory (DIR. John Walker) After being inspired by Aaron James’ book Assholes: A Theory, documentarian/cinematographer John Walker set out to make a movie of the same name that would explore the lifestyle of the supremely arrogant. The results are fairly satisfying, more or less, but it’s hard to make a case that the film is focused.