The Humans is the type of movie that makes you want to jump through the screen. Not because the film has transported you and swallowed you up, but rather because you want a better seat and you want to tell everyone to speak up.
Articles by Addison Wylie
A doc about filmmaker Kevin Smith poses an interesting challenge for the documentarian because Smith has been so open so often on public forums. What else can you explore that he hasn’t expanded on already? From feature-length behind-the-scenes bonus features to Smith’s lengthy discussions taped at colleges and concert venues, Smith has covered his life and career from (seemingly) every angle.
Red Notice is a pre-loaded package, an action-comedy booster pack, a failsafe for audiences looking for popcorn entertainment.
13 Minutes jostles my pet peeve with disaster movies; almost as if the movie is trying to push me over the edge.
If a poppin’ and lockin’ Willy Wonka owned a music studio instead of running a chocolate factory, perhaps he would’ve run a contest like the one featured in the hokey Build-A-Bear Entertainment co-production Honey Girls.
Jim Cummings proved to be a brilliant performer and an exciting filmmaker with Thunder Road, a film he not only directed but also wrote and starred in. As that film’s leading character, he commanded the screen with run-on breakdowns that ranged from hysterical highs to desperate lows. The unforgettable results balanced heavy emotions and dark comedy.
Joy Ride never settles down, much like the comedic stylings of its director, stand-up-turn-filmmaker Bobcat Goldthwait.
The latest efforts from the Toronto-based comedy collective Daisy Productions are two different takes on a fantasy vs. reality theme. #BasicBAEs, directed by Dennis Alexander Nicholson (Kitty Mammas), is a short film that follows the individual lives of friends who primarily communicate through social media. Thank U, Ex, a hybrid show directed by Maddie Rose that incorporates theatre with taped segments, chronicles the love life of a hopeless romantic with a chip on their shoulder….
One of the most compelling movies of the year is the minimalist drama Mass, a bottle drama led primarily by its four outstanding leads (Jason Isaacs, Martha Plimpton, Ann Dowd, Reed Birney). The actors portray parents from two families, reeling from a tragedy involving their sons. After prior detached conversations, they decide to convene at a mutually chosen location – a church basement – while a mediator is stationed outside.
Halloween Kills is an ambitious take on a sequel. While the film picks up where 2018’s Halloween ended, this isn’t a movie about the franchise’s villain Michael Myers or his prime victim Laurie Strode (Jamie Lee Curtis). Instead, it’s a movie about Haddonfield and the mournful community who have been living in fear; being given a tormented reputation by its infamous serial killer. The locals, having not felt protected by the town’s law enforcement, rally…