Bodied, TIFF’s people’s choice award winner on 2017’s Midnight Madness circuit, has been produced by self-proclaimed “rap god” Eminem. Considering the film sinks itself into the world of rap battles and diss shakedowns, comparisons to Eminem’s 2002 8 Mile are inevitable and appropriate. But 8 Mile is most certainly a product of its time. The movie isn’t dated per se, but it represented an underground culture of individuals channeling their repression through rhythm and flow. With…
A J.J. Abrams production is like the latest hipster eatery: they take a lot of effort to put together and people apparently like them, but once you have experienced one, it becomes apparent just how incredibly overrated they are. This is why I’m always so wary of these productions, and why his latest produced feature has been such a surprise – Overlord, directed by Julius Avery, is actually enjoyable!
Documentaries about partially quirky niche subjects have to tread carefully unless the narrative has a “stranger than fiction” angle. Science Fair filmmakers Cristina Costantini and Darren Foster set the stage for their tone awfully fast by opening up their doc with the purity and lucrative opportunities that comes with winning “Best in Fair” at the prestigious Intel ISEF (International Science and Engineering Fair); giving audiences a taste of the inspiration and the exposure this film…
You’ve heard of a movie “spinning its wheels”, but have you seen a movie that is simply “spinning”? That’s what Orson Welles’ recently recovered The Other Side of the Wind makes its audience feel like – it’s an evening on a sociable, abrasive lazy suzy with Hollywood elites admiring each other just as often as they’re jumping at another’s throat.
By: Jessica Goddard Mid90s is a coming-of-age period piece, chronicling how a mild 13-year-old boy finds acceptance and belonging with a reckless crowd of skateboarders. Our pint-sized protagonist, Stevie (Sunny Suljic), perfectly captures the in-the-middleness suggested by the title – we can’t help but see a child when he’s next to his older (taller) friends, but the mischief he gets up to makes him feel much more adult than we’re comfortable with.
By: Trevor Chartrand On the internet, rumors and stories spread wildly, and most people are logical and cautious enough to question everything they read online. Folks often dismiss fantastical, source-less narratives because, come on, that never could have happened, right? Well, maybe not. A new documentary titled The Bill Murray Stories: Life Lessons Learned from a Mythical Man examines one of these online rumors and proves that there’s some validity here – so maybe we…
An Hour to Kill is a horror-comedy anthology from director Aaron K. Carter, a filmmaker who impressed me with his previous feature Dead Kansas. Dead Kansas was a low-budget zombie flick that would’ve blended into the genre if it wasn’t for Carter’s resourceful qualities as a filmmaker. Whenever directors start to blame a strapped budget or a low-end production for their movie’s flaws, I dig up Dead Kansas as my argument to debunk that claim.
Directed by Tom Volf, Maria by Callas examines the life and art of one of the twentieth century’s greatest opera singers, Maria Callas. Through archival footage of Callas on stage, her personal correspondence to friends, and interviews with the singer recorder at various points throughout her career, the film attempts to show the personal, intimate side of a woman that was the subject of much media attention during her lifetime.
Extracurricular (DIR. Ray Xue) As the Canadian pop-punk band Sum 41 once sang, “motivation, such an aggravation.” That seemed to be Ray Xue’s complaint as well when he was directing Extracurricular, which is the only way to explain why anything in this film happened. Long time readers may recognize the number one rule of TAD: if a film is having its world premiere here, it will be terrible. This is not a knock against any of…
One thing that differentiates Toronto After Dark from a lot of other horror festivals is their affinity and respect for short films. In an age of streaming and general new media, short films are the future of genre cinema and it is always important to give them a venue, since most of them will never see the inside of a cinema.