Hats off to Sophie Cookson, an actor who turns lemons into lemonade to some avail in Trevor Nunn’s tepid period drama Red Joan.
Dragged Across Concrete is an excellent contemporary crime thriller that feels painstakingly real. From its characterizations of bitter people blaming PC culture and 24/7 surveillance for their own faults to the drawn-out investigations that suggest other criminal activities are afoot, this is a divisive film that is identifiable and purposely tough on the viewer.
I’m arriving to the Replicas party late. The room is empty, the snacks have been picked over, and there’s an exhausted Keanu Reeves in the kitchen asking me if I could stick around and help with the dishes.
Hellmington centres on Detective Samantha Woodhouse, distressed over the recent death of her father and tormented by a forgotten yet mysterious case of the disappearance of a former high school classmate. In order to piece together the puzzle of the latter, Samantha reconnects with her past while she’s in town for the funeral; including meeting old acquaintances and people who were close to her late dad.
Through Black Spruce, most of the time, is on the right track. Unfortunately, its disappointing streaks are during the final stretch of the film.
By: Jessica Goddard Jordan Peele’s sophomore effort Us is gripping and suspenseful at first, but loses steam as the story’s loose ends become hard to ignore.
The “found footage” horror sub-genre has had its fair share of stinkers, but movies don’t get much lazier than 1st Summoning, an entry that seems to be as anti-audience as it is anti-climactic. Here’s a movie that sheepishly grits its teeth, waiting for viewers to pity it.
A Breath Away emerges in the midst of a growing number of films dedicated to portraying the horrors of environmental disaster. Timely as it is horrifying, A Breath Away is an emotionally-charged thriller that broadly follows the algorithmic pattern set by previous disaster films, and has little to say ideologically about its central issues.
By: Trevor Chartrand Written and directed by Jon Keeyes, The Harrowing is a supernatural thriller that lacks nail-biting tension and edge that would keep viewers hanging on every word. Despite some decent visual effects and cinematography, the film fails to truly inspire fear from its audience.
An adventure is difficult to endure when it’s lacking thrills or fun. A film made by unenthused people is hard for an audience member to get wrapped up in. Antidote, a supernatural thriller starring mixed martial arts powerhouse Randy Couture, is an example of both unsavoury moviegoing situations.