Articles by Wylie Writes Staff


The Unbearable Weight of Massive Talent

By: Jeff Ching When I had first heard about a movie centred around Nicolas Cage playing himself and that it was going to be “the most Nicolas Cage movie ever made”, it became the film I was anticipating the most this year.  He’s been my favourite actor since, maybe, grade 8.  Con Air was the first R-rated movie I ever snuck into…and got caught doing so as well.  We tried to pull off the whole, “I…



By: Trevor Chartrand Marlene dramatizes the notorious true story of the wrongfully-convicted Canadian Steven Truscott, who was sentenced to death for the rape and murder of classmate Lynne Harper in 1959.  Appropriately, the movie pays special attention to his wife, the titular Marlene, who spent years tirelessly researching his case and eventually clearing his name.  The justice system is put under close scrutiny during this understandably melodramatic, romanticized, version of true events and director Wendy…



By: Jolie Featherstone [CW: child severely injured, violence, medical/surgical scenes] Ambulance is signature Michael Bay: action, melodrama, impressive stunt work and, of course, MASSIVE EXPLOSIONS!  We would expect nothing less from the director of the Transformers series, Bad Boys, Pearl Harbor, and Armageddon.



By: Trevor Chartrand Donkeyhead is the first feature film from writer/director Agam Darshi, who has extensive credits both in front of and behind the camera.  Her film focuses on Mona (played by Darshi herself), the least-successful sibling among the four brothers and sisters in her family.  As a failed writer, she is the only one among them who still lives at home, aimless in her pursuits with no job and no prospects.  Instead of pursuing…


Big Gold Brick

By: Trevor Chartrand Big Gold Brick is the brainchild of writer/director Brian Petsos, whose first feature film comes fully-loaded with a surprisingly star-studded cast.  Featuring Andy Garcia, Megan Fox, and Oscar Isaac, this surreal comedy-drama has its moments, but ultimately gets bogged down by a slow pace and a series of uneven tonal shifts.



By: Trevor Chartrand Short film writer/director Blake Ridder is on the right track with his feature-length debut Help, but the movie struggles to tell a cohesive story.  This neat little thriller is tidy and simple, but ultimately falls apart during its goofy, over-the-top final act.  While the film has some decent visuals and an acceptable sense of pacing and style, it’s hard to take the narrative seriously.