I’m not afraid of heights. However, as I watched Fall with bated breath, I felt chills and quivers in my back and my legs which I’ve never felt before. Watching the movie’s climb-savvy leads (wayward friends played by Grace Fulton and Virginia Gardner) scale a 2,000 radio tower in the middle of the desert was enough for me to clasp my armrest. Watching them dangle from the tower after being stranded at the top was…
The Good Neighbour reminds viewers that just because a movie is a guilty pleasure, that doesn’t always indicate that it’s a bad movie. Stephan Rick’s thriller is far from great but, as far as meeting expectations, I had a lot of fun with his movie.
A family’s secret unravels in A Chiara, much to the surprise of a formally unaware titular teenager (played well by newcomer Swamy Rotolo, confidently leading the film). Chiara is worried and paranoid about her family’s safety, but she’s also angry that nobody will explain the situation to her. She receives reassurance, but that isn’t enough when she’s witnessed her father fleeing a scene before their family car was blown up.
Following in similar footsteps as his previous feature Annihilation, Alex Garland’s Men offers an unsettling premise with visuals to match that are eventually hampered by an unnecessarily cryptic and complicated narrative.
Firestarter is not only a disappointment, it’s a strange disappointment. It promises to deliver on multiple levels and, yet, fails at every attempt. It’s billed as a horror, but it’s not scary. It’s billed as a thriller, but it doesn’t pull the viewer towards the edge of their seat. It’s also billed as a family drama and science fiction, which it certainly sports elements of, but neither genre is interesting or exciting in this movie….
In this efficient “hitman with a heart” tale from director Reem Morsi, The Last Mark is a confined thriller starring a conflicted crook (Shawn Doyle) and a kidnapped call girl (Alexia Fast) reeling for a “job” that went sideways after the escort witnesses the murder. The characters hide out at a safe house arranged by a fixer (Ashgrove’s Jonas Chernick) to escape the hitman’s unpredictable partner-in-crime (Bryce Hodgson). The dynamic between the unlikely fugitives is deliberately…
Heckle is a horror-thriller that isn’t scary or tense, and drags its feet.
Directed by Ryan Andrew Hooper and written by Mark Redd, Tollbooth is a slow-burning thriller with a darkly comedic twist — and a payoff that’s well worth the wait.
Woman In Car wants to be a compelling character study, but it never takes off because writer/director Vanya Rose wants to focus on the actions in the story rather than the people.
The Cursed (formally titled Eight for Silver) is a morality tale of sorts. Writer/director Sean Ellis (Metro Manila) tells a disturbing story about how shameful decisions made by an older generation can haunt the next of kin.