I can’t endorse Paradise Cove, but I also wouldn’t stop you from watching this trashy thriller about a homeless former model terrorizing a couple of homeowners who are new to the neighbourhood. Before the film becomes unforgivably dumb, it’s a shameless guilty pleasure.
Freaky is not only one of the better examples of a body-swap story, it’s also one of the best horror-comedies ever made. It’s consistently hilarious, shockingly violent, and filmmaker Christopher Landon is quick to take note of the formula’s hindrances and correct them.
If you’re looking for a movie that’s going to scare the pants off of you, Mauro Iván Ojeda’s The Funeral Home isn’t it. Only the most sensitive and lily-livered viewers will be genuinely frightened by this Argentinian tale of hauntings and family drama. But what it lacks in terror, The Funeral Home makes up for in moderately creepy weirdness and old-school, vintage visuals.
Bring Me a Dream annoys me from all angles, but I’m also frustrated because I’m not qualified to criticize its lack of originality. The horror-thriller reminded me that I have never seen a Nightmare on Elm Street movie (aside from Freddy vs. Jason which is more of a collaboration than a standalone film). However, I’m familiar enough with the Freddy Krueger character to see similarities between Krueger and Bring Me a Dream’s derivative boogeyman the Sandman….
By: Jolie Featherstone When second-generation homicide detective Riley Sanders (Jacque Gray) returns to work after a traumatic experience, she’s partnered with the idealistic and stoic Paul Carr (Devin Liljenquist). When Paul brings Riley up to speed on current cases, they realize that two of the crimes are very similar: the victims were bound in enclosed spaces and died of heart attacks. Their investigation leads them to find that the killer is targeting people with clinically-diagnosed…
The best thing about Grizzly II: Revenge is how its hilarious marketing completely blindsides the audience. The lost 80s sequel to 1976’s thriller Grizzly has been promoted as a vicious horror starring a young George Clooney, Laura Dern, and Charlie Sheen. Those Oscar winners, and Charlie Sheen, certainly show up within the first few minutes to only be mauled by a man-eating grizzly bear by the following scene.
Liam Neeson has been playing a variation of the same soft-yet-secretly-badass character since 2008’s Taken, and Mark Williams’ action-thriller Honest Thief is no exception. Neeson treads well-worn ground as Tom, a former marine-turned-bank robber who wants to turn himself in and start a new life with his girlfriend, Annie (Kate Walsh). His attempts to make amends don’t exactly go as planned when the FBI agents sent to take him in decide to keep the money…
Triggered is a self-aware horror-thriller that could use a little polish, but still offers B-movie charm.
In Ravers, a bad batch of energy drinks are cracked into during a night-long party at an abandoned factory. Once consumed, the partiers begin twitching, “bugging out”, and eventually become violently belligerent with superhuman strength. Given that everyone is already shoulder-to-shoulder, with some who are already high on street drugs to begin with, the danger escalates quickly as our main heroes (including Becky, a germaphobic journalist) fight for survival.
Come Play feels like a natural throwback to traditional horror, where filmmakers build creative lore for a creature new to the genre. In this case, the monster is “Larry”: large, scaly, and looking for a companion. Larry zeroes in on Oliver (Azhy Robertson), a non-verbal outsider with Autism who struggles to make friends at school. We don’t know how long Larry has been observing Oliver for, but it must’ve been enough time for the creature…