Jackass star Steve-O opens a new chapter in his ever-evolving career as a stand-up comedian with his latest special Steve-O’s Bucket List. After traveling the globe and performing his hardcore “adults only” show to curious crowds (with some patrons even passing out), the stuntman has released his uncensored show online for everyone who may have missed out on the tour, or for those wishing to revisit the yuks and the yucks.
For a movie about comedians, writer/director Jeremy Berg’s The Last Laugh is utterly void of mirth. Unfortunately, this isn’t just a film that takes itself far too seriously – it lacks vibrancy and life all together.
Never Be Done: The Richard Glen Lett Story is a fantastic example of true documentary filmmaking.
The title of Steve-O’s new comedy special Gnarly, as expected, describes the stunt work peppered throughout the show as he raises the bar on his own shock factor with squeamish spectacles. However, the special should almost be titled Mea Culpa considering his stand-up routine, while off-the-wall, is holding his past destructive behaviour in contempt.
By: Trevor Chartrand It Started as a Joke is an emotionally charged documentary that will sort-of sneak up on you. It’s so sneaky in fact, that the film will try to convince you that you’re watching ‘just another Netflix-style comedy special’ – until you’re suddenly not. You’ll let your guard down, laughing with the featured comedians, chuckling at their on and off stage antics. It’s funny, it’s goofy, and it’s a great time… and then…
Comedian Iliza Shlesinger gives at-home viewers an up-close-and-personal look at her career leading up to her latest Netflix special in the “fan-u-mentary” Iliza Shlesinger: Over & Over.
Comedienne Amy Schumer is at her best when she’s in unfamiliar waters and vocalizing about it. By being incredibly observant and quick-witted, she forms a unique and bold perspective that humorously addresses relatable hesitation. This transferable approach is why her film roles have worked for me as well (Trainwreck, Snatched, I Feel Pretty).
New Yorker Nina is a stand-up comic with a blunt repertoire. Her material is R-rated in a competitive way; as if she’s trying to out-disgust other comedians at the open mic. The truth, however, is her jokes are stale. They’re not worthless, but Nina’s routine is on autopilot. However, it’s what she has to do to survive in a world dominated by daunting masculinity and crass jokes.
Bob Saget is more candid than ever in his latest stand-up special Zero to Sixty, a change in tone when compared to his rowdy 2007 special That Ain’t Right.
