If you’re looking for genuine scares, look no further. Evil Eye (Mal de Ojo in Spanish) is the real deal. Get ready for great special effects, maximum impact jump scares, and chills.
Park Chan-wook (Oldboy, The Handmaiden) aspires to give audiences a different type of police procedural with Decision to Leave, but I’m afraid he’s put too much of his focus on trying to deliver innovation rather than a story that’s either compelling or accessible.
Neil Marshall (Dog Soldiers, Doomsday, Hellboy) knows how to make a horror film. The writer/director is responsible for the early 2000’s cult classic The Descent, a film that has been praised for its mature characterization of a group of women (a relatively novel concept, as far as early ’00s horror was concerned). In addition to its dramatic and psychological elements, The Descent was also freaking terrifying. Even the toughest, most hardened horror fans are quick to admit…
By: Liam Parker Nostalgia in cinema is a fickle thing. If done right, it can invoke memories of a forgotten time; sparking comforting feelings in those that lived through it and sparking interest in those who didn’t. Done wrong however, and it can feel like the film is just rehashing old material – like your drunk uncle telling you the same jokes you read in a dog-eared joke book from your elementary school library. While…
Horror-comedy Here For Blood features Shawn Roberts (of the Resident Evil franchise) as Tom O’Bannon, an all-around good guy who has a solid reputation in the world of wrestling and only shows a smidge of an attitude when his girlfriend Phoebe (Joelle Farrow) asks him to babysit a 10-year-old for a few hours while she prepares for college exams. The kid, Grace (Maya Misaljevic), is stubborn at first, but warms up to Tom over some…
By: Jeff Ching When I first saw the trailer for Ticket to Paradise, opening with that scene of George Clooney and Julia Roberts as two divorcees who don’t want to sit beside each other on the plane, I wondered whether this was some kind of spin-off of Oceans 11. How interesting of an idea for these characters to get their own movie; an aftermath of what happened to their relationship after that big heist…or multiple heists….
Terrifier was an excellent example of how word-of-mouth benefited an indie. If you were within horror circles (or chatting with other Netflix subscribers about what random movies were in your queue), people couldn’t stop talking about the film’s antagonist (a sinister and silent clown named Art played by David Howard Thornton), as well as how unforgivably gnarly and violent Damien Leone’s movie was.
Piggy is committed to its framework and characters, but it hasn’t settled on a primary genre. Actually, as confusing as it is, the story tries to make its main character the genre which, you can imagine, poses issues.
By: Jolie Featherstone Halloween Ends, the final instalment of the latest Halloween trilogy, reunites Laurie Strode and Michael Myers in a bloody battle that can also be interpreted as a proud celebration for scream queen Jamie Lee Curtis.
Dark Glasses is a contemporary giallo from legendary Italian filmmaker Dario Argento. Approaching this movie as someone who is unfamiliar with Argento’s work and giallos in general, I was excited and nervous about what Dark Glasses would have in store (similar to my anticipation prior to David Cronenberg’s Crimes of the Future).