Selected by members of WIFT-T (Women in Film and Television Toronto) from nominated films that best represent the filmmaking community, WIFT-T’s Spring showcase is known for its diverse work. That same consistency is maintained this year.
Indian Horse is ingrained with prejudice experienced by Canada’s Indigenous people. Director Stephen S. Campanelli, who is usually hired as a camera operator on mainstream films, gives his audience a firsthand perspective of this chilling history while adapting Richard Wagamese’s award-winning novel of the same name.
Björn Borg, a mannered enigma, and John McEnroe, a hot head with a brash reputation, developed a public rivalry with each other based on their differences in athletic gameplay and sportsmanship. However, if you’re looking for a explanatory grasp on their relationship, you won’t find it in Borg vs. McEnroe. The film itself is adequate by biopic and sport movie standards – merely on its surface – but its focus is more targeted on individual arcs.
Maya (22 Jump Street’s Amber Stevens West) is left scrambling when she finds her fiancé “fooling around” with another girl. Having met the man of her dreams while visiting Africa, she returns home with a lie that will convince her parents that she still has her life on track. A kind stranger named Malcolm (Shamier Anderson) meets Maya during his own panic as a greedy former friend (Tyrell played by Lyriq Bent) chases him down….
ABU is a beautiful trip through the life of Pakistani-Muslim filmmaker Arshad Khan. It’s also an outstanding and promising feature-length debut by the filmmaker.
By: Trevor Chartrand Documentary filmmaker Delila Vallot brings the world passion and soul personified in her emotionally-charged character study, Mighty Ground.
Itzhak is a charming and easygoing documentary about renowned violinist Itzhak Perlman.
Happy Anniversary is a rom-com with erratic behaviour. Jumpy storytelling and unlikable characters make this movie hard to warm up to, but some solid laughs makes this pill easier to swallow.
Mary Goes Round is an acceptable gateway to long-form filmmaking for Canadian writer/director Molly McGlynn. She comes prepared with a resume of shorts, of which I’ve only seen one (3-Way (Not Calling)). It was so illustrious with its humour and honesty, that I started to anticipate McGlynn’s first feature-length film.
As a film critic, you try to keep an open mind; especially with subject matter that may not be of personal interest in the first place. Those films have the opportunity to teach something new. That said, economical documentaries are still my kryptonite – they’re still too dense to comprehend. Jed Rothstein’s The China Hustle – a film about devious activity on Wall Street – is more proof of that, but it also surprised me.