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Reviews

Alone in Berlin

While I’m completely aware that Alone in Berlin is based on a true story, I’m afraid Vincent Perez’s big-screen adaptation is thin and tedious.  There’s not enough here for the director/co-writer to flesh out, and likewise for the talented leading cast (Brendan Gleeson, Emma Thompson, Daniel Brühl).

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Urban Hymn

A racially-diverse group of children cause havoc until a teacher comes along and sets them straight.  No, this isn’t about Stand and Deliver or Dangerous Minds.  This is about Urban Hymn, yet another film which takes the familiar plotline and runs nowhere with it.

Reviews

Certain Women

By: Jessica Goddard A movie packed with subtlety and nuance, Kelly Reichardt’s Certain Women both wrenches the heart and flexes one’s critical capacities.  Do we have sympathy for this character because we authentically suspect they’re a good person in spite of their actions, or do we desperately want them to be a good person because we feel so deeply sorry for them?

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Folk Hero & Funny Guy

There’s nothing more easygoing than a road movie with good music and likeable leads.  In a nutshell, that’s Folk Hero & Funny Guy, a comedy starring Alex Karpovsky (The Foxy Merkins, HBO’s Girls) and Wyatt Russell (Goon: Last of the Enforcers) as best friends who tour working class cities, exhibiting their passions.

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Tommy’s Honour

Movie goers waiting for a biopic to blow their socks off shouldn’t rely on Tommy’s Honour, a drama that seems to fulfil its non-fiction requirements procedurally.  Tommy’s Honour would be par for the course (ba-dum-tss) if it wasn’t so underwhelming.

Reviews

The Wall

Set in 2007, after the official end of the Iraq war had been announced, The Wall follows two American soldiers who investigate the area where civilian workers were attacked during the construction of an oil pipeline.  The soldiers find themselves pinned behind a crumbling wall by an enemy sniper and struggling for survival.

Reviews

Violet

Bas Devos’ feature film debut Violet is an unforgettable movie.  There’s so much to admire about it: its cinematography, its patience, and Cesar De Sutter’s outstanding introverted performance.  However, Devos’ daring ambition to visualize inner conflict through minimal dialogue may be the film’s strongest achievement.