I don’t know much about MyFrenchFilmFestival, but Rudi Rosenberg’s The New Kid has made me want to study up on the online global collective.
Movies can be delicious, such as this year’s rom-com Bakery in Brooklyn. Despite the fresh food, the charming chemistry between the two leading women is what made the film buoyant. On the other end of the scale, you have Menorca, which is deliciously bad. This film feeds us so much camp, we’re begging for more when the movie begins to clam up.
Canadian documentary Perfume War captures the story of modern revolutionist Barb Stegemann and how she turned her compassion towards an intimidating circumstance into a passion that helped a country and an industry.
A Quiet Passion is a stage play that has wandered into movie theatres. There’s nothing necessarily wrong with individual physical elements in this Emily Dickinson biopic, but writer/director Terence Davies (Sunset Song) doesn’t connect with his audience through the medium he’s presenting on.
David Fairhead’s Mission Control: The Unsung Heroes of Apollo shifts its focus from astronauts, and directs it to scientists, engineers, and technicians who played an essential role behind-the-scenes in the success of the Apollo era space program. These are the men that made the moon landing happen from back on earth, but their efforts are rarely as celebrated or glamorized as those of astronauts such as Neil Armstrong and Buzz Aldrin.
In Ovum, the audience is quickly introduced to the wonderfully named Calpurnia Dylan, an actor who is going through the motions of frustrating auditions and occasionally dealing with stuck-up filmmakers when she isn’t running late for class.
Let me ask you something: would you like to know more about filmmaker David Lynch? It’s a pivotal question that will make make-or-break your experience watching David Lynch – The Art Life.
By: Jessica Goddard Gifted is contrived, tired, and – frankly – just plain boring. This story shamelessly and lazily recycles almost every component of its plot to the point where you’re left wondering why you’re not the one making millions writing such basic, formulaic scripts.
Pardon me it this sounds silly, but I Called Him Morgan – a music documentary about jazz trumpeter Lee Morgan – has too much music. The music itself isn’t bad, but director/producer Kasper Collin has included so much of it that the tunes actually engulf the rest of this otherwise adequate film.
The Devout is a new addition to the faith-based genre, and it’s actually a pretty cool flick. You don’t often hear “cool” in the same discussion as recent faith-based cinema, so I assume I already have your attention.