At the moment, there isn’t a more indulgent director than Frank D’Angelo. The Canadian entrapreneur/musician has made a film career out of mob movies featuring (and recycling) loaded casts, essentially, playing cops n’ robbers. The material is more than criminals and anti-heroes pointing guns and using twelve-letter words to berate each other, but some have argued otherwise. The Neighborhood, unfortunately, gives the haters ammunition.
Las Vegas entertainer Molly (Brittany Allen) encounters a stray member of the undead in Nevada’s desert (aka. the Valley of Fire) while a zombie apocalypse breaks out. The blood-thirsty brute terrorizes Molly by stalking her through the desolate outskirts, which is an incredible challenge since Molly has seen how ravenous and relentless her enemy is. Knowing safety is 36 miles away is added distress for Molly since maintaining energy and will is a personal struggle for…
By: Jessica Goddard Barry Avrich’s Blurred Lines: Inside the Art World is a well-paced, informative documentary about the otherwise largely inaccessible world of producing, marketing, and selling high end art.
Written, directed, and produced by Martine Blue, Hunting Pignut is the story of Bernice, played by Taylor Hickson (Aftermath, Deadpool), a teenager in a rural Newfoundland community. She is a typical teenage misfit: lonely, bullied at school for no obvious reason, and picked last at sports. When Bernice’s estranged father dies of a drug overdose, his wake is crashed by a gang of gutter punks claiming to have been his closest friends – one of…
By: Jessica Goddard Home Again is for Hollywood, by Hollywood, about Hollywood. If you can deal with that, you might enjoy this safe and well-meaning romantic comedy. Hallie Meyers-Shyer’s Home Again (a title which never ends up making any sense) is rarely laugh-out-loud funny, but it’s often endearing in a snort-and-smile kind of way.
Pilgrimage will be known as “that movie where the Punisher fights alongside monk Spider-Man”. By that, I mean Tom Holland (Spider-Man: Homecoming) and Jon Bernthal (Netflix’s Daredevil and The Punisher) have starring roles in Brendan Muldowney’s action/drama about a monastery’s dangerous mission.
Goon: Last of the Enforcers arrives five years after the surprise hit Goon, and it’s as if the audience never left these characters. Even though the film is working under a different director (Jay Baruchel taking over for Michael Dowse), this sequel makes sure it stays within the same surly vein as its delightfully crude predecessor.
Benny Boom, the music video director/indie filmmaker behind Next Day Air and 48 Hours to Live, has been given a chance to swim in a larger pond with the Tupac Shakur biopic All Eyez on Me. On paper, this should work. Boom’s been working upwards to larger projects, and the source material is certainly in his wheelhouse.
I would be perfectly fine if the rest of Adam Scott’s acting career were gigs in horror comedies. With Krampus and now Netflix’s Little Evil, the actor has a special comedic expertise with applying Straight Man schtick when facing fantastical odds, and countering by meeting the film’s expectations in the final stages of the ridiculous plot.
To promote the theatrical release of Blood Honey, Juan Carlos Noguez Ortiz sat in Toronto’s Yonge-Dundas Square and had a swarm of bees cover his face for a Guinness World Record breaking 61-minutes. That’s nothing; try watching the movie. Now, there’s a challenge.