Midsommar, the sophomore feature from Ari Aster (Hereditary), is a head-trip on multiple levels and a full flex of what cinema is capable of.
When Robert Eggers appeared on the cinematic scene with The Witch at 2015’s Sundance Film Festival, he exposed untold new ways to tell horror stories. So, what can someone who has already reinvented a genre do to follow up such a work? Eggers decided to use a similar formula—mainly the research of authentic historical documents that went into the screenplay’s creation of horror—to tell a brand-new story. The results are great.
Corporate Animals is aggressively heartless, as if it’s in a competition to be the cruelest dark comedy. But in doing so, the film sacrifices itself and proves to audiences just how two-dimensional it really is.
Greener Grass is a suburban social comedy dressed up as an irreverent weirdo. While it may paint itself into a corner by setting a high bar for itself, I loved being in its company nonetheless.
Mister America could be the “nichiest” project ever made and, yes, I’m including Kevin Smith’s upcoming Jay and Silent Bob Reboot. But more importantly, Mister America is the level of Trump era satire we’ve been waiting for.
Controversial director/screenwriter Roger Avary returns to the director’s chair with Lucky Day, his first commercial release since 2002’s The Rules of Attraction.
By: Trevor Chartrand The beloved and monstrous Addams Family returns to cinemas this Halloween; animated for the first time ever on the big screen, and directed by the duo who brought adults Sausage Party. This new film focuses on a real estate mogul trying to drive monsters out of town (à la Shrek), Pugsley Addams’ bar mitzvah, Wednesday Addams’ teenage rebellion, Lurch endlessly playing pop songs on a piano, and a never-ending slurry of other superfluous subplots…
The intersection of comedy and thriller do not often mix well, especially in survivalist narratives. But Harpoon, even with its familiar survivalist tropes on display, evenly balances the two in an intense, frequently unpleasant, but endlessly watchable nightmare-at-sea.
Primal Rage is a creature feature, but it’s light on what the film is selling. For a special effects artist making his directorial debut, writer/director Patrick Magee often forgets about his film’s central beast.
Adam Bolt’s Human Nature, a scientific documentary about the advancements in genetic cures, is an accessible and thought-provoking film.