Zeros and Ones begins with an enthusiastic vlog from Ethan Hawke, who eagerly tells the audience that he’ll be playing a dual role in the movie that we’re about to watch. He also speaks highly of the film’s writer/director Abel Ferrara (Ms. 45, Bad Lieutenant, 4:44 Last Day on Earth), and how the filmmaker has made a truly special movie that speaks “to this moment” and that it’s “Abel’s hit on what we’ve been going through…
The most interesting thing about Marionette is the question it made me ask myself: if a generic movie is a functioning entry in its genre, should it receive a passing grade? I had just given Netflix’s bombastic blockbuster Red Notice a recommendation because of this same grading method. So, what’s preventing me from doing the same with Marionette?
The Surprise Visit features a small ensemble of actors who seem to be challenging each other. Only they’re not inspiring each other, they’re competing against each other for who can exaggerate the most. And director Nick Lyon is letting his cast “duke it out”.
June Again is a pretty good movie that’s headlined by the first excellent performance of the year.
By: Trevor Chartrand See For Me, directed by Randall Okita (The Lockpicker), is an engaging thriller that’s sort-of a reverse Don’t Breathe. In both films, a blind person fends off would-be home invaders – but in Okita’s movie, our visually-impaired lead character is not a sadistic sociopath – she’s (mostly) a good person.
Lowell High School is the top-ranked public high school in San Francisco. In a world where everyone is a straight-A student, Lowell seniors are stressed out, scrambling to secure places in the country’s top universities and balancing overwhelming pressure from their families and communities.
Beyond the Infinite Two Minutes is a mind-melting, time-bending farce that works like a fine tuned juggling act.
Flee offers an intimate perspective from a lengthy conversation about rediscovering the past to plan for the future.
By: Jolie Featherstone Set in the San Fernando Valley in the 1970s, Paul Thomas Anderson’s latest is a wholly immersive ‘endless summer’ following two enterprising misfits in the deliriously light-headed throes of youth.
Until recently, when she was cast in the third season of HBO’s hit series Succession, Dasha Nekrasova was one of those niche internet celebrities that enjoys considerable notoriety in select circles while remaining virtually unknown in the larger public consciousness. She is perhaps best known as the co-host of the popular left-leaning podcast, Red Scare. Much like her podcast, Nekrasova’s debut directorial feature is calculated to invite controversy. Brash and antagonistic, The Scary of Sixty-First…