As a film critic, you try your hardest not to be jaded. However, I find myself struggling not to make blasé comments about Black Fawn Films’ latest horror movie The Heretics.
Making a movie like Modern Classic requires film experience, and I’m not talking about knowing how to assemble a shot list. It’s a taxing process of compromises that pulls you through the ringer while you remain hopeful and eager. Modern Classic, a flippant film about this love/hate relationship, uses catharsis and dry humour to exhale.
By: Nick Ferwerda Wilson (Woody Harrelson) is a lonely man who is maybe a bit too honest. He struggles to adapt to the modern-age of communication, which only irritates his lack of social awareness, but he’s truly shook up when his father passes away – the only family member Wilson had left in his life.
By: Jessica Goddard There are two unique components to the premise of The Movie Experience hosted by The Secret Sessions – the featured film the event will be based upon is to be kept secret, and that the event is immersive. Patrons mingle with actors playing characters from the movie in a location decorated according to the mystery film’s setting, culminating in a screening of the movie that is simultaneously acted out by the cast.
Justin McConnell is a filmmaker who uses tension marvellously, usually either channeled through shadowy environments or visceral fears. In his latest film Broken Mile, he breaks personal ground by using time to intensely disorient his audience.
By: Nick Ferwerda How do you take one of the cheesiest television shows of all time and turn it into a solid standalone movie? Believe it or not, but Power Rangers does a commendable job at doing so.
Ken Finkleman (of CBC’s cult hit The Newsroom) wryly lampoons streamlined success in #AnAmericanDream.
Budding filmmaker Andy King has been in hot water with former Toronto councillor Doug Ford, the brother of late mayor Rob Ford who was caught up in worldwide controversy involving drug use caught on tape. The plot of King’s feature Filth City is centred around a belligerent, frantic mayor searching for a video that captures his illicit drug binging at a house party – you can see why Doug is a little mad.
Alan Thicke, in one of his final roles, is exceptional as self-help guru Patrick Spencer in It’s Not My Fault and I Don’t Care Anyway. As Spencer, Thicke is expected to peddle encouraging apathy with a smile – using nothing more than charisma to make his pitch. To think countless hosting gigs and ironic cameos didn’t prepare the entertainer for this movie would be foolish.
Goon: Last of the Enforcers is the sequel to Goon, the surprisingly successful 2011 indie-comedy about a bouncer from Massachusetts named Doug Glatt (played by Seann William Scott) who begins a career as an enforcer for a minor-league hockey team in Halifax. In the new film, six years have passed. Doug and his love interest, Eva (Alison Pill), are now married and expecting a child but their happiness is complicated by injuries and rival players…