Terror of the stars Sweet purring from above A pat on the head Thy vengeance will scratch Death is a cat from mars
A Man Called Ove, adapted from the novel by Frederik Backman, is a charming, yet slightly familiar dramedy about a grieving widow and his budding friendship with his new neighbours in a gated community. Recently nominated for two Academy Awards (Best Foreign Language Film and Best Makeup), Hannes Holm’s adaptation is a digestible and likeable, but hardly transcendent film.
We are clearly living in the darkest timeline. The world is falling apart beneath our feet and there is no hope. Luckily, Kedi is here to give us a respite for a little over an hour.
Award season is a long road. It all starts out with hubbub about a film that sparked acclaim on the festival circuit, followed by increased word-of-mouth when the movie begins an “exclusive engagement” in a modest independent theatre. The season is in full-effect when those indies start receiving showtimes in larger chains.
It’s no secret that women are all too frequently shut out of the film industry, with few of them being able to make a living or having their work seen. In recent years, there has been a renaissance of genre films made by women, but their work is still a minority in cinemas or at film festivals.
By: Nick Ferwerda When John Wick was first released in 2014, it blew everyone away and turned into an instant action hit. Since sequels are often known for playing the same tune in a predictable key, you can understand my worrisome caution going into John Wick: Chapter 2. I’m happy to report that it does not disappoint.
Kiss and Cry is a lovely Canadian companion to Josh Boone’s crowd-pleaser The Fault in Our Stars.
Directed by Stephen Gaghan (Syriana) and written by Gaghan, Patrick Massett, and John Zinman, Gold is loosely based on the true story of the 1993 Bre-X mining scandal. Matthew McConaughey stars as down-and-out prospector Kenny Wells who stakes (no pun intended) his last penny on a partnership with a struggling geologist. Together, the two men venture into the jungles of Indonesia in search of gold.
The story of Sergei Polunin is told in Dancer, the slightly cleaned-up dancing version of a “Behind the Music” episode. There’s still blow, but not that much blow.
Often, you’ll hear a film criticized for having a premise that’s more suited for a short film rather than a feature-length movie. Filmmaker Saul Pincus, who has a background in making shorts, has surely caught wind of this comment because you can see the mechanics in his latest breakout indie Nocturne try to dodge this nitpick.