In The Go-Getters, Jeremy LaLonde’s first foray into the twisted genre of dark comedies, audiences are convinced that misery really does love company; especially in the metropolis of Toronto.
Articles by Addison Wylie
Henry Winkler has a full resume, but he’ll always be known as The Fonz. His son, television director Max Winkler, will surely continue having a fruitful career as a filmmaker after releasing his sophomore effort Flower, an audacious flick for which he’ll be remembered for.
Certain topics pertaining to sex and intimacy aren’t really taboo anymore. We’ve had an influx of orgy comedies (A Good Old Fashioned Orgy, How to Plan an Orgy in a Small Town), and filmmakers have also captured stripped-down dating culture in the current digital age (Jackie Boy, as well as with glossier mainstream movies). Because of these advancements in storytelling, Jon E. Cohen’s underwhelming feature film debut A Swingers Weekend feels a few years too late.
Nelly, a gung-ho private detective, and Simon, an aspiring anthropologist, make an unlikely heroic pair in Nelly & Simon: Mission Yeti, a colourful French-Canadian action/adventure yarn from directors Nancy Florence Savard and Pierre Greco.
The foxtrot, as you may know, is a dance – the movie reminds us of that. The first position is the same as the last, which the film (of the same name) uses as a metaphorical device to encompass the fate of the characters we see on screen.
Supa Modo hit an emotional sweet spot with me, as I’m sure it will with TIFF Kids audiences. It’s easy to engage with a film that has this much optimism and zest.
Next Door Spy is this generation’s Harriet the Spy. At least, that’s what it’s aspiring to be. Unfortunately, this competently animated Danish film isn’t ready to play.
Hell’s Kitty, a film that has been assembled from a web series of the same name conceived by writer/director Nicholas Tana, makes for an amusing in-joke for horror hounds. The cameos alone from iconic character actors are enough to make those fans beam. For instance, The Hills Have Eyes’ Michael Berryman appears as a testy detective, while Heir’s Bill Oberst Jr. and The Shape of Water’s Doug Jones star as a devout duo who attempt to exorcize…
Juggernaut has an element it excels in – troubled characters gradually bringing their brooding funk to an explosive spill. I’d like to believe writer/director Daniel DiMarco is aware of how his film works, but the filmmaker consistently sidesteps around this area of strength. I don’t think DiMarco is clueless, but he’s making too much trouble for himself to seek out a challenge.
The Wasting is a small film with large misfires. It’s an unfortunate directorial debut from documentary writer Carolyn Saunders and, boy, what a reluctant debut it is.