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Articles by Addison Wylie

Reviews

Breaking News in Yuba County

Breaking News in Yuba County is a strange crime-comedy that’s both overdeveloped and undercooked. The movie has a stacked cast of comedic character actors and, it’s true, the audience can’t help but enjoy watching these actors in motion. However, since the story builds off of a deceitful faux pas in such convoluted ways, movie goers also can’t help but grow exhausted and impatient.

Reviews

Bad Trip

Your enjoyment of Netflix’s hidden camera comedy Bad Trip hinges on whether you find Eric André’s comedy entertaining;  such is the usual case for shock comics.  Eric André’s boundary-stepping awkwardness has the ability to push his “marks” to their extremes, and then he goes a little further.  It’s a fearless quality that Bad Trip takes full advantage of to tell a story about a passionate quest to pursue love, and the man (Chris Carey played…

Reviews

Nobody

The promotional material for Nobody features a grizzled Bob Odenkirk, a hilarious comic who has pulled off incredible range for over a decade within his tragicomedy oeuvre in the Breaking Bad universe, beating the pulp out of thugs and gunning down crooks.  For viewers who have followed Odenkirk’s career from his sketch comedy days on Mr. Show to his time playing Saul Goodman on Breaking Bad and Better Call Saul, this action-packed visual is cool…

Reviews

Slaxx

A possessed pair of jeans wrecks havoc on retail workers in Slaxx, a Canadian horror-comedy from the producers of Turbo Kid that isn’t nearly as funny as that pitch but wins the audience over with outrageous and relentless kills.

Reviews

Scooter

Scooter is one heck of a sloppy “found footage” flick.  Not only is this a weak thriller, but the film constantly steps on its own continuity by rewriting its rules on the fly.  The biggest crime: it’s completely unaware of its potential.

Reviews

Yes Day

Family films that feature kids “makin’ all the rules” isn’t exactly fresh or inventive.  So, why did I like Yes Day so darn much when I know that it follows this same template?  Did this sub-genre improve?  Have I gotten softer?  While these reflections are valid, it sounds like I have to blame either the movies that came before this one or myself to justify liking Yes Day.  Embracing Yes Day shouldn’t be driven by…