While I’m completely aware that Alone in Berlin is based on a true story, I’m afraid Vincent Perez’s big-screen adaptation is thin and tedious. There’s not enough here for the director/co-writer to flesh out, and likewise for the talented leading cast (Brendan Gleeson, Emma Thompson, Daniel Brühl).
Articles by Addison Wylie
If documentaries were solely graded on how much they teach, then Charles Wilkinson’s Vancouver: No Fixed Address would get full marks.
There’s nothing more easygoing than a road movie with good music and likeable leads. In a nutshell, that’s Folk Hero & Funny Guy, a comedy starring Alex Karpovsky (The Foxy Merkins, HBO’s Girls) and Wyatt Russell (Goon: Last of the Enforcers) as best friends who tour working class cities, exhibiting their passions.
Movie goers waiting for a biopic to blow their socks off shouldn’t rely on Tommy’s Honour, a drama that seems to fulfil its non-fiction requirements procedurally. Tommy’s Honour would be par for the course (ba-dum-tss) if it wasn’t so underwhelming.
Hounds of Love, the latest horror export from Australia, is unpleasant to a fault.
Bas Devos’ feature film debut Violet is an unforgettable movie. There’s so much to admire about it: its cinematography, its patience, and Cesar De Sutter’s outstanding introverted performance. However, Devos’ daring ambition to visualize inner conflict through minimal dialogue may be the film’s strongest achievement.
I love my mom, which is why I won’t be taking her to see Mom & Me for Mother’s Day. Well, to be fair, we live four hours apart from each other, so we were planning on spending this day apart anyways – her card is in the mail. But, if there were a sudden change of plans and we could watch a movie together, I would still insist we steer clear of Ken Wardrop’s doc.
The ReelAbilities Film Festival returns to Toronto on Wednesday, May 10 after a successful debut. The festival, centring around noble stories of disability cultures, will screen feature films and shorts around the city until Thursday, May 18.
After nearly a decade of bad comedies starring Adam Sandler, it feels weird to call his recent vehicle “good”. It’s also funny, good-natured, and features Sandler at the top of his form. Somebody pinch me.
My introduction to filmmaking duo Brett Butler and Jason Butler was imperfect. Prior to the release of their indie Mourning Has Broken, I interviewed Brett. He was an all-around standup guy who was grateful for when he and his brother won Ingrid Veninger’s “1K Challenge”, granting them access to make their dark comedy starring character actor Robert Nolan.