Bachelor parties in movies never go well, do they? They seem to follow a three-step formula: they start with kernels of giddy excitement, then bubble over into insanity, resulting in hapless characters having to deal with the consequences. Such is the case for the new “bro comedy” Big Bear.
Articles by Addison Wylie
At the moment, there isn’t a more indulgent director than Frank D’Angelo. The Canadian entrapreneur/musician has made a film career out of mob movies featuring (and recycling) loaded casts, essentially, playing cops n’ robbers. The material is more than criminals and anti-heroes pointing guns and using twelve-letter words to berate each other, but some have argued otherwise. The Neighborhood, unfortunately, gives the haters ammunition.
Las Vegas entertainer Molly (Brittany Allen) encounters a stray member of the undead in Nevada’s desert (aka. the Valley of Fire) while a zombie apocalypse breaks out. The blood-thirsty brute terrorizes Molly by stalking her through the desolate outskirts, which is an incredible challenge since Molly has seen how ravenous and relentless her enemy is. Knowing safety is 36 miles away is added distress for Molly since maintaining energy and will is a personal struggle for…
Let’s assume that bad things are always happening. While someone finds enjoyment in life, someone else may be barely hanging on to their reality. That’s basically the gist of Wayne Wapeemukwa’s debut feature Luk’Luk’I, an obvious stream of consciousness that doesn’t expand beyond that idea.
It’s not healthy to compare movies, but I have a feeling I would’ve had greater appreciation for Ingrid Veninger’s Porcupine Lake if I hadn’t already seen Andrew Cividino’s Sleeping Giant. Both are of Canadian origin, they take place over the course of a Summer away from home, and they follow a coming-of-age narrative with kids.
Short film director Govinda Van Maele encounters pacing issues with his feature-length debut Gutland.
Pilgrimage will be known as “that movie where the Punisher fights alongside monk Spider-Man”. By that, I mean Tom Holland (Spider-Man: Homecoming) and Jon Bernthal (Netflix’s Daredevil and The Punisher) have starring roles in Brendan Muldowney’s action/drama about a monastery’s dangerous mission.
Goon: Last of the Enforcers arrives five years after the surprise hit Goon, and it’s as if the audience never left these characters. Even though the film is working under a different director (Jay Baruchel taking over for Michael Dowse), this sequel makes sure it stays within the same surly vein as its delightfully crude predecessor.
Benny Boom, the music video director/indie filmmaker behind Next Day Air and 48 Hours to Live, has been given a chance to swim in a larger pond with the Tupac Shakur biopic All Eyez on Me. On paper, this should work. Boom’s been working upwards to larger projects, and the source material is certainly in his wheelhouse.
I would be perfectly fine if the rest of Adam Scott’s acting career were gigs in horror comedies. With Krampus and now Netflix’s Little Evil, the actor has a special comedic expertise with applying Straight Man schtick when facing fantastical odds, and countering by meeting the film’s expectations in the final stages of the ridiculous plot.