Somewhere during the making of this film adaptation of Danny Schur and Rick Chafe’s period musical Stand!, the project was seriously mishandled. Robert Adetuyi’s film version sounds like it should be on stage and looks as if it was written and shot for daytime television.
Articles by Addison Wylie
I’m a late arrival to Agnès Varda’s career and, considering she passed away earlier this year, I thought I was too late to start appreciating her filmmaking. But what her final film Varda By Agnès has taught me is that it’s never too late to share or be inspired. And because the film has been made with compassion and love, it never feels like a pretentious exercise.
Fans of Keanu Reeves may want to tune into The Divine Fury. After all, this South Korean horror-thriller feels inspired by John Wick’s fight choreography and Constantine’s freaky gothic imagery.
My recommendation of Trixie Mattel: Moving Parts comes with a bit of a bias.
The Farewell is a universally identifiable gem of a family dramedy.
Frankie is like a postcard – the picture is beautiful, but it hardly has any substance attached to it.
The best thing about Hobbs & Shaw, the first feature-length spin-off in the Fast & Furious series, is that anyone can watch it. It does a good job standing on its own legs and distancing itself from its popular franchise; allowing everyone to pick up on the same page. But perhaps in an attempt to give its spin-off series a safe start, Hobbs & Shaw is as typical as action movies come – Hollywood buys…
Patricia Marcoccia’s documentary The Rise of Jordan Peterson chronicles just *that*: the increased interest around the University of Toronto psychology professor, leading to his worldwide notoriety and success of his best-seller 12 Rules For Life. But while the movie does a good job bringing uninformed viewers up to speed on the popularity and controversy of Peterson, it doesn’t add much else to the conversation. The movie is just, kind of, “there”.
Luce is the type of small-scale drama audiences haven’t seen in a while – it’s such a satisfying reunion.
Using a narrative that gradually builds momentum through a series of hustles and surprises, Parasite is utterly unpredictable. It’s a memorable flick not only for its mind-bending story, but because director Bong Joon-ho (The Host , Snowpiercer, Okja) has reinvented the farce formula with this Palme d’Or award-winner.