Goon: Last of the Enforcers arrives five years after the surprise hit Goon, and it’s as if the audience never left these characters. Even though the film is working under a different director (Jay Baruchel taking over for Michael Dowse), this sequel makes sure it stays within the same surly vein as its delightfully crude predecessor.
Articles by Addison Wylie
Benny Boom, the music video director/indie filmmaker behind Next Day Air and 48 Hours to Live, has been given a chance to swim in a larger pond with the Tupac Shakur biopic All Eyez on Me. On paper, this should work. Boom’s been working upwards to larger projects, and the source material is certainly in his wheelhouse.
I would be perfectly fine if the rest of Adam Scott’s acting career were gigs in horror comedies. With Krampus and now Netflix’s Little Evil, the actor has a special comedic expertise with applying Straight Man schtick when facing fantastical odds, and countering by meeting the film’s expectations in the final stages of the ridiculous plot.
To promote the theatrical release of Blood Honey, Juan Carlos Noguez Ortiz sat in Toronto’s Yonge-Dundas Square and had a swarm of bees cover his face for a Guinness World Record breaking 61-minutes. That’s nothing; try watching the movie. Now, there’s a challenge.
Most filmmakers use sizzle reels to showcase their strengths and skills, but in the case of Michael Wong, he can simply use his short film The Story of 90 Coins to do the same thing.
After its US premiere in July, Wish Upon has finally made its way north. Unfortunately, it was’t screened for critics – no worries, it happens. I paid $7 to see Wish Upon and, let me tell you, it’s a pretty good $7 movie.
The Only Living Boy in New York, Marc Webb’s second film of the year after Gifted, is both a surprise and an expected move from the filmmaker.
Sundowners is an exceptional movie headlined by two unexceptional people – hey, their words. Not mine.
Death Note is a good movie, but it would’ve made a great miniseries. Netflix’s fast-track adaptation of Tsugumi Ôba’s popular manga series is light on characterization, with a troublesome lack of introduction by screenwriters Jeremy Slater (The Lazarus Effect), Charley Parlapanides and Vlas Parlapanides (the Parlapanides’ wrote Immortals).
Le Ride is proof of the intrepid courage and exhausting circumstances that happen during long cross-country treks. The documentary is also proof that writer/director/star Phil Keoghan can walk the walk and talk the talk.