The Peanut Butter Falcon is an outstanding example of how filmmakers can make an in-the-moment crowd-pleaser and push it towards being a timeless classic. Written and directed by Tyler Nilson and Mike Schwartz, The Peanut Butter Falcon is a road movie that plays as a contemporary take on American fables; filled with recovering characters that are all endearing in their own ways.
Articles by Addison Wylie
When a film is described as “faith-based”, it seems to be a seal of fate for audiences who are ready to will it away if they don’t necessarily share the same beliefs. For filmmakers, it’s a tactic to deflect those same movie goers (and some critics) away from their work. But Overcomer, the latest film from Alex Kendrick (Fireproof, Courageous, War Room), could be a watershed for both sides.
By: Jessica Goddard The organized chaos and clutter of The Tape Escape endearingly reflects the atmosphere of an old-school video store, though it ought to be marketed more as interactive theatre than an “escape room” concept.
Spice It Up does something really special that I hope will translate to general audiences. It rips on practically everything that has to do with making a movie, including those brave enough to take on such a task. It even doubles down on its niche by teasing student filmmakers and the amateur qualities they have yet to grow out of. Spice It Up isn’t mean, but it’s self-aware enough to shoot off some well-meaning friendly…
Marlon Wayans has gone soft, and it’s the best thing that could’ve happened for his film career.
The Toronto Youth Shorts festival is a great platform for aspiring filmmakers and for storytellers with a lot on their mind. I can usually count on the selections to cover themes from cultural reflections to personal discoveries, with an occasional fluffy piece to break up the weight of these programmes.
Just as a thoughtful retirement video or an in memoriam can do, Avi Belkin’s well produced outside-the-box doc Mike Wallace Is Here encapsulates its subject’s career and tells a personal story through archival footage.
It’s embarrassing to admit, but A Wizard’s Tale – a film intended for small children – took me a while to finish. The storytelling, so hyper. The humour, so random. And no matter how many times I rewatched pivotal parts, I was still left dumbfounded. When our heroes reached a kingdom of “balloon-people”, I knew I wasn’t losing it – the movie was.
A rising writer of a Palestinian soap opera tries to cater to everyone, while covering up his own secret, in Sameh Zoabi’s award-winning comedy Tel Aviv on Fire.
Free Trip to Egypt is the epitome of a “feel-good movie”. The fact that it’s also a documentary is proof that positive affirmations can manifest organically.