Hats off to Sophie Cookson, an actor who turns lemons into lemonade to some avail in Trevor Nunn’s tepid period drama Red Joan.
Articles by Addison Wylie
Dragged Across Concrete is an excellent contemporary crime thriller that feels painstakingly real. From its characterizations of bitter people blaming PC culture and 24/7 surveillance for their own faults to the drawn-out investigations that suggest other criminal activities are afoot, this is a divisive film that is identifiable and purposely tough on the viewer.
For Sama (DIR. Waad al-Kateab, Edward Watts) For Sama is one of the heaviest documentaries I’ve ever seen – a true battle about staying hopeful in hopeless circumstances.
I’m arriving to the Replicas party late. The room is empty, the snacks have been picked over, and there’s an exhausted Keanu Reeves in the kitchen asking me if I could stick around and help with the dishes.
In Canada, the only film that dares to go toe-to-toe with Marvel Studios’ Avengers: Endgame is a limber, well-meaning flick named The Public, a star-studded drama written and directed by Emilio Estevez. If only it was a little bit more mature, then it would’ve been the right pick to counter program against the blockbuster juggernaut.
The Con Is On is a screwball crime comedy starring actors who have no problems playing up the absurd angles of an unconventional heist. The intention of the film is to bust the audience into fits of laughter but, instead, the only thing that’s busted is the film itself.
Teen Spirit is an uplifting contemporary musical that will be a hit with its teenage crowd. The swooning camera work, the boosted colour palette, and its covers of catchy electro-pop tunes are all advantageous qualities towards the film’s pep.
Curiosity is a quality that keeps on giving. M. Night Shyamalan, for instance, is a filmmaker who is eager to explore his own craft. And while his back catalogue has included projects that have snowballed out of his own range, he’s at least owning his ambition and finding original stories to tell audiences. His latest collaborations with indie empire Blumhouse Productions have been great vehicles to anchor his passion projects and visual filmmaking. Such is…
Hellmington centres on Detective Samantha Woodhouse, distressed over the recent death of her father and tormented by a forgotten yet mysterious case of the disappearance of a former high school classmate. In order to piece together the puzzle of the latter, Samantha reconnects with her past while she’s in town for the funeral; including meeting old acquaintances and people who were close to her late dad.
The Brink should be a more controversial movie than it is. For a little over 90 minutes, audiences closely observe Steve Bannon, former chairman of right-wing news outlet Breitbart News and former chief strategist for President Donald Trump. Isn’t it insane for Bannon, a highly criticized public figure, to volunteer himself to be the subject of a documentary?