New Yorker Nina is a stand-up comic with a blunt repertoire. Her material is R-rated in a competitive way; as if she’s trying to out-disgust other comedians at the open mic. The truth, however, is her jokes are stale. They’re not worthless, but Nina’s routine is on autopilot. However, it’s what she has to do to survive in a world dominated by daunting masculinity and crass jokes.
Articles by Addison Wylie
An adventure is difficult to endure when it’s lacking thrills or fun. A film made by unenthused people is hard for an audience member to get wrapped up in. Antidote, a supernatural thriller starring mixed martial arts powerhouse Randy Couture, is an example of both unsavoury moviegoing situations.
The House That Jack Built has a lot to unpack, so thank goodness it’s two-and-a-half hours. Movie goers can compain about long runtimes but if this movie gave us anything shorter, the film would feel cut off at the knees – a fitting analogy for a viscerally grotesque feature.
Passing away last year at the age of 77, Roger Ailes left behind a divisive legacy in television broadcasting, as well as many controversies including suggestive misogyny and racism, sexual assault towards female journalists, and his petty temperament when things didn’t go his way.
The Happytime Murders is a bawdy comedy that’s being sold as “dirty Sesame Street”. However, as the film fired off obscenities and crude visual gags, I couldn’t help but be distracted by other filmmaking elements.
Twitter has been featured in movies, but Laurie McGuinness’ Funny Tweets is allegedly the first film about Twitter, an open forum that allows users to connect to the world through condensed text. The film reminds its viewers that it’s “not affiliated with or sponsored by” the social media platform but, hey, they could’ve fooled me. The documentary is overflowing with gratitude expressed by comedians and writers who sing the Twittersphere gospel.
Inspired by a true story, Tiger is a sports drama about the prejudice a rising athlete faced when he was told to abide by outdated expectations.
When a film’s only flaw is its title, it’s safe to say that audiences are in the clear. Such is the case for Dead in a Week (Or Your Money Back), an edgy British comedy starring two-time Oscar nominee Tom Wilkinson (In the Bedroom, Michael Clayton) and Aneurin Barnard (Bigger).
A modern day fantasy has been in order, and Border could be the answer – for now. Co-writer/director Ali Abbasi provides audiences with a cogent story that doubles as an allegory on minorities and treats its fantastical characters humanely. It’s what Bright aspired to be.
Netflix Originals come and go, but the streaming service’s latest festive flick The Christmas Chronicles is a new holiday classic – an entertaining family film that will hold resonance for years to come.