By: Trevor Chartrand When a documentary filmmaker invests years of their life studying one subject, it goes without saying that this is a subject they have a lot of passion for. However, the real trick is to take this topic – whatever it may be – and get an audience equally invested. As much as the filmmaker may love the subject matter, the viewers need to care too. This is where The Coolest Guy Movie…
Articles by Addison Wylie
Madeline’s Madeline is a one-of-a-kind. I can’t remember the last time a movie was this uncomfortable yet so rewarding and fulfilling.
Some of this year’s most endearing performances get buried by Andrew Bujalski’s faulty filmmaking in Support the Girls.
Toronto filmmaker Sofia Bohdanowicz travels to Paris, France to tentatively live with a colleague’s mother, Juliane Sellam, in the documentary Maison du Bonheur, a boring film that never lives up to its experimental ambition.
Gail Harvey’s latest movie Never Saw It Coming has a title so unintentionally fitting, it makes my head spin.
Crystal Moselle, who made a name for herself as a documentarian with the 2015 hit The Wolfpack, takes inspiration from Larry Clark’s career in her narrative feature debut Skate Kitchen. It’s a seamless transition for Moselle who is experimenting (and subtlety infiltrating) with documentary aesthetics to tell a scripted story about a young woman who is trying to gain acceptance while searching for independence.
Benched is pitched (har, har) to audiences as the latest entry in the sports movie genre, but it almost ends up working more as a buddy comedy instead. The scenes of gameplay are present and they’re easy to get wrapped up in, but the drive behind those scenes – along with other elements in this charming story of winning and losing – is the love/hate dynamic between two little league coaches playing on the same…
Benched is a no-brainer recommendation for sports movie fans. It’s charming, funny and, despite its rote concepts, the filmmakers put forth enough effort to give audiences something different.
Netflix’s To All the Boys I’ve Loved Before is too slight and trivial even by teen movie standards, but I’m hoping it will make its young viewers talk to each other more. So many misunderstandings and rumours in Sofia Alvarez’s stalled screenplay would’ve been squashed if people had stopped their worrying and had simple conversations with other characters.
As people grow up, ideas are suggested to them from various sources to help craft their life in a certain way. However with The Miseducation of Cameron Post, co-writer/director Desiree Akhavan makes an argument about the search for personal individuality which is not only liberating, but absolutely valid. Adapting Emily M. Danforth’s novel of the same name, Akhavan shows audiences that no matter what customs or beliefs are enforced onto another person, their voice and personality…