I love my mom, which is why I won’t be taking her to see Mom & Me for Mother’s Day. Well, to be fair, we live four hours apart from each other, so we were planning on spending this day apart anyways – her card is in the mail. But, if there were a sudden change of plans and we could watch a movie together, I would still insist we steer clear of Ken Wardrop’s doc.
Articles by Addison Wylie
The ReelAbilities Film Festival returns to Toronto on Wednesday, May 10 after a successful debut. The festival, centring around noble stories of disability cultures, will screen feature films and shorts around the city until Thursday, May 18.
After nearly a decade of bad comedies starring Adam Sandler, it feels weird to call his recent vehicle “good”. It’s also funny, good-natured, and features Sandler at the top of his form. Somebody pinch me.
My introduction to filmmaking duo Brett Butler and Jason Butler was imperfect. Prior to the release of their indie Mourning Has Broken, I interviewed Brett. He was an all-around standup guy who was grateful for when he and his brother won Ingrid Veninger’s “1K Challenge”, granting them access to make their dark comedy starring character actor Robert Nolan.
You may giggle at that title – we all have. It’s hard to take seriously, especially since so many stoney faces in the trailer say it without a speck of irony. As one of those jokesters who mocked the title and has now seen the movie, I advise readers to not write this film off just yet. The Bye Bye Man has a main attraction that deserves your attention.
I don’t know much about MyFrenchFilmFestival, but Rudi Rosenberg’s The New Kid has made me want to study up on the online global collective.
Movies can be delicious, such as this year’s rom-com Bakery in Brooklyn. Despite the fresh food, the charming chemistry between the two leading women is what made the film buoyant. On the other end of the scale, you have Menorca, which is deliciously bad. This film feeds us so much camp, we’re begging for more when the movie begins to clam up.
Canadian documentary Perfume War captures the story of modern revolutionist Barb Stegemann and how she turned her compassion towards an intimidating circumstance into a passion that helped a country and an industry.
A Quiet Passion is a stage play that has wandered into movie theatres. There’s nothing necessarily wrong with individual physical elements in this Emily Dickinson biopic, but writer/director Terence Davies (Sunset Song) doesn’t connect with his audience through the medium he’s presenting on.
Currently, the TIFF Kids International Film Festival (April 7 – April 23) is hosting a variety of content; including exclusive film premieres, industry insight, and interactive activities. I was fortunate enough to catch a couple of the premieres at this year’s TIFF Kids, and both films were encouraging examples from future storytellers.