Libera Nos (Deliver Us), a documentary chronicling numerous exorcisms, rides an innovative line between being a commentary on the distractions of devout faith and a real-life horror movie. It shook me up like no other film has in years.
Articles by Addison Wylie
In this current political climate, Russian president Vladimir Putin – along with his government – has frequently been held suspect for unethical ideologies. On Putin’s Blacklist, a Canadian-produced documentary directed by Boris Ivanov, exposes more of these unorthodox decisions while also linking these rippling effects to possible ideas of Putin’s personality.
Most documentaries about legendary people are unsurprisingly structured since the subject’s history and reputation steer the film through its motions. Take Every Wave: The Life of Laird Hamilton is no different, but I do admire how the film paces the impressive life of the surfer/entrepreneur/game changer.
Filmmaker Reese Eveneshen seems to be his own worst enemy with his latest project Defective. On one hand, on a limited budget, he’s developed Toronto into a nameless city living in a convincing dystopia. The visuals are on par with the works of Neill Blomkamp (District 9, Elysium). However, Eveneshen’s overwritten screenplay becomes so convoluted, it reaches a point of no return.
Game of Death is a gory conundrum that is both impressive and bothersome.
Filmmakers seem eager to work with Robert Nolan – I don’t blame them. Nolan is, undoubtably, one of the best character actors working in the industry. He’s respected because of his ability to morph into a role, and because of how professional he is. I’ve seen him play an embarrassing parent, an insane clown, a teacher on the brink of destruction, and I’ve even seen him pull disgusting “things” out of his body. He can…
Should I mention that Bad Grandmas was Florence Henderson’s last acting gig? Do I have to?
Signs posted around a low-income housing block in Toronto announcing “new developments” promises desirable changes, but it’s the community who are woefully anticipating the shift. This upcoming demolition, in pending stages of growth, means permanent relocation for these residents. Kids and teenagers are encouraged to direct their focus on other, less stressful interests, such as poetry and music.
Loving Vincent wants you to focus hard on the six-year process it took to make this movie. This oil-painted film is the first of its kind, with over 100 artists (including Canadian Valerie Fulford) painstakingly painting over 65,000 frames to make a cohesive cinematic work of art. Each frame is in the signature swirly style of tortured painter Vincent van Gogh.
The most interesting thing about Lucky is the director’s connection to the concept. This is the directorial debut of John Carroll Lynch, a character actor who sometimes has the capability to steal a whole movie with his few scenes. Even if you can’t recall Lynch from his name, the moment you see him appear in films (like Shutter Island and Zodiac), you can’t help but be excited to see what he does with his supporting…