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Articles by Addison Wylie

Reviews

Parasite

Using a narrative that gradually builds momentum through a series of hustles and surprises, Parasite is utterly unpredictable.  It’s a memorable flick not only for its mind-bending story, but because director Bong Joon-ho (The Host [2006], Snowpiercer, Okja) has reinvented the farce formula with this Palme d’Or award-winner.

Festival Coverage

Toronto After Dark 2019: A One-On-One with Precious Chong

At this year’s Toronto After Dark Film Festival (which is currently in full swing at the city’s Scotiabank Theatre), you won’t be able to shake Precious Chong’s wild performance in Zach Gayne’s Homewrecker.  As Linda, Chong channels mousey and maniacal characteristics after she haphazardly kidnaps a new “friend” Michelle (Starry Eyes’ Alex Essoe).  Chong is funny, but she’s careful not to exploit the character;  allowing Essoe’s character to show empathy towards Linda under nerve-racking circumstances.

Reviews

Mister America

Mister America could be the “nichiest” project ever made and, yes, I’m including Kevin Smith’s upcoming Jay and Silent Bob Reboot.  But more importantly, Mister America is the level of Trump era satire we’ve been waiting for.

Reviews

Primal Rage

Primal Rage is a creature feature, but it’s light on what the film is selling.  For a special effects artist making his directorial debut, writer/director Patrick Magee often forgets about his film’s central beast.

Reviews

Sometimes Always Never

Sometimes Always Never sets out to be quirky, but comes out dorky.  It takes pride in its uneven nuances, gushy sentimentality, and jokes about Scrabble.  What saves the mild-mannered movie to an extent, however, is how the awkwardness is (sort of) embraced through its humour.