Israeli filmmaker Shimon Dotan’s previous efforts have earned him recognition in his home country, where he has won nine Israeli Academy Awards for his work as a writer, producer, and director. Though most of his films are narrative-based, the documentary Hot House (2006) earned acclaim when it premiered at the Sundance Film Festival.
Obit opened last week at Toronto’s TIFF Bell Lightbox to warm reception. The documentary features the obituary department at The New York Times, and deconstructs the writing craft of an obituarist.
Goon: Last of the Enforcers is the sequel to Goon, the surprisingly successful 2011 indie-comedy about a bouncer from Massachusetts named Doug Glatt (played by Seann William Scott) who begins a career as an enforcer for a minor-league hockey team in Halifax. In the new film, six years have passed. Doug and his love interest, Eva (Alison Pill), are now married and expecting a child but their happiness is complicated by injuries and rival players…
It’s hard to describe filmmaker Uwe Boll without using words like “notorious” or “infamous”, when really he’s more enigmatic than that.
Producer/writer Michael Sparaga has seemingly laid low since 2011’s Servitude, but he’s been very busy working on The Missing Ingredient: What is the Recipe for Success? – a documentary that has the filmmaker testing the waters in another culinary scene. This time, Sparaga hits the director’s chair for this duel story of creative minds within the food industry.
Being a film critic, you witness certain – shall I say – ebbs and flows; usually reflecting on what mainstream audiences are demanding or what studios are labelling “hot”. I usually understand trends in popularity, but the volume of Canadian productions dabbling in supernatural quirky comedies is stunning.
Watching The Pasta Killer was a great experience. Not only did it reassure me of the power a great story can have over its audience, but it was nice to switch perspectives from a supportive friend to a fascinated movie goer.
I know Parker Mott as a fellow writer and a friend. We met on the set of Eric Marchen’s television show Cinema Seen years ago (when it was originally titled The Film Slate), and we’ve kept in contact ever since.
Geordie Sabbagh’s A Sunday Kind of Love hits its hometown at a great time. Canadian Film Day is just around the corner, and it joins the ranks of other exceptional Canadiana fare that you should celebrate on April 20.
By: Addison Wylie Many will recognize Max Joseph from his co-hosting gig on MTV’s Catfish, a modern mystery program featuring Max and Nev Schulman helping online romantics track down their ambiguous lovers. Faithful viewers of Catfish, however, were given episodes early on in season 4 that were absent of Joseph. This was because the filmmaker was still busy working on his feature film debut, We Are Your Friends. We Are Your Friends followed a group of pals trying…