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One-on-Ones

One-on-Ones

Wylie Writes’ One-On-One with Kris Rey

I Used to Go Here works as a coming-of-age story, a college comedy, and a self-reflective character piece.  While the cast and crew deserve credit for how well the film pulls off this hat trick, writer/director Kris Rey is the glue holding this project together.  With her latest film, Rey continues to prove her expertise in characterization and intentionally awkward comedy, and how magic can be made when those two elements are perfectly mixed together. I recently…

One-on-Ones

Wylie Writes’ Two-On-One with Samuel Gonzalez Jr. and Arturo Castro

Directed and co-written by veteran Samuel Gonzalez Jr., Battle Scars confronts the long-term effects of war through acts of of desperation by a disoriented young soldier learning how to piece his life back together.  During the film’s festival run, it picked up awards at the San Diego International Film Festival (Best Military Film), the Orland Film Festival (Best Screenplay), and the Cinema on the Bayou Film Festival (Best Feature).

One-on-Ones

Wylie Writes’ One-On-One with Kire Paputts

Director Kire Paputts follows up his modest feature debut The Rainbow Kid with The Last Porno Show, an envelope-pushing character drama chronicling the personal arc of an aspiring actor taking over his estranged father’s faded adults-only move theatre.  It’s a really good movie that doesn’t shy away from anything and bares it all.  It stuck to me like shoes to the floor of a sold-out screening room.

One-on-Ones

Wylie Writes’ One-On-One with Robert Eggers

“This makes me want to puke.  Sorry, this came into my head.  Sorry.”  These were the words spoken by Robert Eggers, before he made a point about the relationship between Andrej Tarkovsky and Fyodor Dostoevsky.  The singular voice behind the instant classic The Witch and The Lighthouse provided evidence of two important parts of his personality: the first being his self-effacing tendencies despite how well-read he is—after all, any great artist is first a great student—and…

Festival Coverage

Toronto After Dark 2019: A One-On-One with Precious Chong

At this year’s Toronto After Dark Film Festival (which is currently in full swing at the city’s Scotiabank Theatre), you won’t be able to shake Precious Chong’s wild performance in Zach Gayne’s Homewrecker.  As Linda, Chong channels mousey and maniacal characteristics after she haphazardly kidnaps a new “friend” Michelle (Starry Eyes’ Alex Essoe).  Chong is funny, but she’s careful not to exploit the character;  allowing Essoe’s character to show empathy towards Linda under nerve-racking circumstances.

One-on-Ones

Wylie Writes’ One-On-One with Corey Stanton

Robbery is a solid drama that tells the compelling story of Frank (Art Hindle), a cerebral career criminal suffering from dementia.  When his son, Richie (Jeremy Ferdman), finds himself the target of a dangerous organization to whom he owes money, Frank must come out of retirement and use the remnants of his mind to save his son. I talked with writer/director Corey Stanton to see where this surprisingly unique story came from.

One-on-Ones

Wylie Writes’ One-On-One with Wendy Litner

By: Sky Wylie I have been a huge fan of Wendy Litner’s hilarious digital series How to Buy a Baby since the success of the first season.  My husband and I were a couple of years into the agony of fertility problems, and I was looking for a bit of an escape.  It was so refreshing to watch Jane (played brilliantly by Meghan Heffern) and Charlie (Marc Bendavid) navigate the same crazy world we had found…

One-on-Ones

Wylie Writes’ One-On-One with Veronica Ngo

Furie, the highest grossing Vietnamese movie of all time, took North America’s digital platform by storm last month.  What’s perhaps even more notable is how the vehicle has propelled Veronia Ngo to action heroine status.  Ngo (Bright, Star Wars: The Last Jedi) stars as provoked mother Hai Phuong who will do anything (and fight anyone) to save her kidnapped daughter.

One-on-Ones

Wylie Writes’ One-On-One with Eve Harlow

A movie is made up of many moving parts, as you know, but The Tomorrow Man really makes you appreciate its supporting characters.  John Lithgow and Blythe Danner (as Ed and Ronnie) are terrific actors who have no problem holding our attention and steering the story (provided by writer/director Noble Jones).  But, their characters would have a hard time finding momentum if it wasn’t for Ed’s temperamental family – a group of people we’re briefly involved…