By: Trevor Chartrand Former actress Amy Jo Johnson’s second directorial effort is Tammy’s Always Dying, an incredibly painful look at dysfunctional family dynamics. The film explores the dark and unstable relationship between the understandably broken Catherine (Anastasia Phillips) and her suicidal mother Tammy (Felicity Huffman).
You don’t so much watch Freaks as you do discover it. As the writers and directors of this terrific flick, Zach Lipovsky (co-producer of Afflicted) and Adam Stein do a good job building anticipation in their sci-fi/thriller. Each scene contains clues, and it’s up to the audience to piece the film’s premise together up until the somewhat typical finale.
In his documentary Coppers, Alan Zweig (15 Reasons To Live) interviews Canadian ex-police officers. Occasionally, viewers are given the a ride-along perspective as the subjects drive around their formally patrolled turf and share some unforgettable stories. Most of these interviewees can recall aged confrontations as if it happened hours before Zweig’s camera turned on. For some, these cases have led to current wellness complications. Along with riding shotgun, Zweig has also emulated the atmosphere of…
Depending on who you ask, Canadian cinema may well be celebrating its 100th year this year and, despite the general dismay that it continues to attract from some, it is still very much able to be as innovative as any other national cinema. Why the history lesson? Because that may be the best way to introduce Matthew Rankin’s The Twentieth Century, at once a great addition to the Canadian cinematic canon and a bitter poisonous…
With The Witch, Robert Eggers showed the world that there were untold, new ways to tell horror stories. So, what can someone who has already reinvented a genre do as a follow up? Eggers decided to tell a new story based on the research of horrific authentic historical documents, and it works.
By: Sky Wylie I have been a huge fan of Wendy Litner’s hilarious digital series How to Buy a Baby since the success of the first season. My husband and I were a couple of years into the agony of fertility problems, and I was looking for a bit of an escape. It was so refreshing to watch Jane (played brilliantly by Meghan Heffern) and Charlie (Marc Bendavid) navigate the same crazy world we had found…
This Changes Everything comes from a good place. But, the points expressed in this documentary about gender inequality are sometimes muddled by the doc’s filmmaking.
By: Jolie Featherstone Paul Downs Colaizzo’s directorial debut, Brittany Runs a Marathon, offers a progressive and empathetic take on a classic storyline that has historically had insidious effects on our view of body image. The film packs an emotional punch in its ambition to tell a compassionate fable reminding us that everyone walks (er…runs) their own journey in life.
Road to the Lemon Grove is at its best when it indulges fully in its love affair with Sicily. Montages of food in market stalls, picturesque coastlines, narrow streets, fruit trees, donkeys – these are the most pleasurable moments in the film. Unfortunately, they are all too frequently interrupted by a forced plot, underdeveloped characters, and an awkward premise.
Max Lewkowicz’s documentary Fiddler: A Miracle of Miracles teaches viewers about the history of the iconic musical Fiddler on the Roof, as well as the play’s cultural impact which still maintains its relevance to this day since first opening in 1964.