By: Jessica Goddard One of last year’s most eagerly-anticipated headlines – the death of Charles Manson – makes this documentary on the notoriously fascinating subject all the more topical. Narrated by Rob Zombie, Charles Manson: The Final Words uses disturbing files from the original murder investigation, interviews with members of Manson’s cult, and exclusive audio from phone conversations with the aged Manson himself while he was still alive and serving his life sentence at California State…
By: Trevor Chartrand After sweeping the festival circuit, Badsville continues its public theatrical run at Toronto’s Carlton Cinema with a VOD/digital release planned for early this year. I recently talked with director April Mullen and screenwriters/actors Benjamin Barrett and Ian McLaren about the inspirations behind their latest film.
Monolith is one of the dumbest movies I’ve ever seen and – god help me – I’m giving it a real recommendation the film should pride itself with.
Ava is a slow but decent coming-of-age drama about children trying to understand their parents and vice versa.
Most of the “no-namers” who started on FOX’s smash series Glee have since established their careers in film and television.
By: Jessica Goddard Paul McGuigan’s Film Stars Don’t Die in Liverpool is a sappy, sweet, and rich examination of the relationship between Oscar winner Gloria Grahame (Annette Bening) and aspiring actor Peter Turner (Jamie Bell), some thirty years her junior. It’s a movie about a lot of things; their weird but earnest age gap romance, the eccentric persona of the former film starlet, the panic spiral associated with aging, the cutthroat nature of showbiz.
By: Trevor Chartrand Doomed by circumstance, citizens of the gritty slum town Badsville are generally faced with two options: escape the city or die trying. In a corrupt town ruled by gangsters and criminals, the world built in director April Mullen’s Badsville may be bleak and daunting, but it’s not a world without hope.
By: Nick van Dinther Some films can be accused of lazy storytelling and a lack of risk. Well, neither apply to Peter Lynch’s Birdland. Unfortunately, Lynch’s convoluted ambition makes Birdland a very difficult film to follow.
Strawberry Flavored Plastic combines elements of found-footage horror and mockumentary to create a story about two documentarians (Nicholas Urda, Andreas Montejo) making a movie about a serial killer, Noel Rose (Aidan Bristow). With testimonials, first-person video, and video conferencing, the audience learns how this “film” slips out from underneath its makers and how it goes awry.
Where You’re Meant to Be isn’t without good music, interesting history, and touching moments, but I still feel like director Paul Fegan misses the mark.