By: Nick van Dinther Hollywood is often criticized for rehashing the same ideas repeatedly without bringing anything new to the table. At the very least, Infinity Baby bucks that trend and brings us something we haven’t seen before.
Starting Friday, November 10, Toronto movie goers can finally check out Poor Agnes, a Canadian thriller that was an award-winner at this year’s Fantasia Film Festival and this past month’s Toronto After Dark Film Festival. As someone who has seen the movie, I’m anticipating the release because I want to know if people will have the same reactions I had. Much like the unfortunate victim who falls for Agnes’ manipulative tricks, Poor Agnes sent me into a freaky frenzy…
Addio Commentary is a column used to focus on the underrated and misunderstood. So, why am I using it to showcase Studio Ghibli’s timeless collection of widely-acclaimed films?
By: Nick van Dinther Unlocked spends a lot of time setting up the storyline for the rest of the film. The only problem is that by the time it’s done, you don’t really care much anymore.
Yorkshire farmer Johnny Saxby (Josh O’Connor) has a rough exterior that could be intimidating to others. He’s certainly aware of this power as he reflects his standoff attitude to anyone who criticizes him. But, Johnny is also a closeted gay man, distancing himself with personal conflict and confrontations. He acts on sexual desires with casual flings, but his romantic interests remain indifferent. That is, until he meets a migrant worker named Gheorghe (Alex Secareanu).
By: Trevor Chartrand Striking and unconventional, The Square successfully combines comedy with intense drama to create an unforgettable satirical gem.
By: Jessica Goddard A Bad Moms Christmas, the holiday sequel to last year’s Bad Moms from the same writer/director team (Jon Lucas, Scott Moore) is generally fun, when it’s not trying to force sentimentality. It wouldn’t be accurate to say this movie takes itself seriously, but its insistence on crossing over into sappiness and raunchiness when it runs out of comedy is lazy and unfortunate.
Libera Nos (Deliver Us), a documentary chronicling numerous exorcisms, rides an innovative line between being a commentary on the distractions of devout faith and a real-life horror movie. It shook me up like no other film has in years.
This year, immersive and transmedia theatre group The Secret Sessions is throwing a Shaun of the Dead party/immersive theatre experience just in time for Halloween.
In this current political climate, Russian president Vladimir Putin – along with his government – has frequently been held suspect for unethical ideologies. On Putin’s Blacklist, a Canadian-produced documentary directed by Boris Ivanov, exposes more of these unorthodox decisions while also linking these rippling effects to possible ideas of Putin’s personality.