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Horror

Reviews

Maggie

By: Addison Wylie Henry Hobson has been given a one-of-a-kind opportunity to showcase Arnold Schwarzenegger’s never-before-seen tender side with Maggie.  I welcome my readers to send in examples of other low-key films the Terminator star has acted in, but I expect to receive no tips. The post-apocalyptic film also hands the filmmaker a chance to re-imagine zombie movies that star “the infected”.  Screenwriter John Scott 3 has crafted a story concerning the rights of the…

Reviews

Unfriended

By: Addison Wylie It’s often said that art reflects life.  Unfriended turns the mirror towards a modern age of teenagers who sometimes veer on being brain dead, yet can problem solve with the drop of a hat when they need to use technology.  Twenty years ago, a movie would only call on one token techie.  Now, a movie can afford to fill its roster with this type of character. While Unfriended deals with terrors that…

Festival Coverage

Canadian Film Festival ’15: Late Night Double Feature

By: Addison Wylie An after hours horror show goes mad in the uneven Late Night Double Feature.  Before the mayhem ensues on the set of Dr, Nasty’s Cavalcade of Horror, the audience is treated to a couple of spooky shorts intercut by commercials and previews. For the most part, the film is authentically structured like a craggy cable access show, which provides plenty of chuckles.  An ill-placed ad cashing in on the night’s horror theme…

Reviews

Da Sweet Blood of Jesus

By: Addison Wylie Spike Lee took to Kickstarter to fund his latest joint Da Sweet Blood of Jesus.  It was a bold move that opened up the floodgates for skeptics to start criticizing the filmmaker.  Zach Braff endured the same with his campaign to make Wish I Was Here. Lee brings more of an argumentative crowd compared to Braff’s followers and naysayers.  Some see Spike Lee as a self-serving loudmouth, but loyal fans believe he has…

Reviews

The Lazarus Effect

By: Mark Barber David Gelb’s The Lazarus Effect offers an intriguing concept, but gets bogged down by convention. Despite its compelling concept, the premise is familiar: a group of researchers led by Frank (Mark Duplass) and his fiancée Zoe (Olivia Wilde) create the “Lazarus” serum, a formula that brings the recently deceased back to life.  This God-like power to cheat death causes things to go awry very quickly.  Zoe is killed in a laboratory accident…

Reviews

Going In and Coming Out: What We Do in the Shadows

By: Anthony King GOING IN: In this day in age, does the idea of more Vampires excite you?  Or, has their rise to immense popularity and over saturation begun to turn you away? Personally I love vampires.  I’ve read half an Anne Rice novel back in high school, so you can say I’m a pretty big fan of the subject.  Just because there’s one series of films that are laughably bad and cheesy doesn’t mean…

Reviews

Housebound

By: Addison Wylie Housebound gives off the scent of a film written by multiple parties who want different things, even though the screenplay was solely written by director Gerard Johnstone. The film quickly develops an amusing dynamic between its two female leads.  Kylie (Played by Morgana O’Reilly) is a criminal forced to live under house arrest with her mother Miriam (played by Rima Te Wiata).  Mom would like to get along, but Kylie would rather…

Reviews

The Quiet Ones

By: Addison Wylie By this point, you pay to see The Quiet Ones and sort of know it’s going to be the fifty-seventh by-the-numbers possession film you’ve seen within the past decade.  You get a vibe that the film is riding off the success of other, more successful horror films and a lot of the scares will be abiding by the rules of “gotcha” spooks. The Quiet Ones reminded me of movies like The Conjuring…

Reviews

As Above, So Below

By: Addison Wylie I thought As Above, So Below was very, very dumb.  And, I’m someone who throughly enjoyed both National Treasure movies.  What does that say about me?  Not wise enough in general, or wise enough to draw a line?  My self-prognosis coming soon. But, yes, As Above, So Below is as dumb as movies get, and it wants its audience to take it so very seriously.  The aforementioned National Treasure movies fill similar…

Reviews

Stage Fright

By: Addison Wylie Stage Fright is a spirited stab to revive the musical genre through comedy and horror.  And thankfully, Jerome Sable’s game attempt at directing such a film satisfies his audience.  Call it a yuk-yuck sort of flick. If a filmmaker isn’t working with cartoons or with Disney, it’s a daunting task for someone to make a musical from scratch.  Musicals are – sadly – a tough sell in this day and age.  Even…