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Articles by Shannon Page

Reviews

Stars Fell Again

In Stars Fell Again, the extra-cheesy follow-up to 2021’s decidedly unfunny Stars Fell on Alabama from returning director V.W. Scheich, suffers from many of the same flaws as its predecessor — weak characterization, poor pacing, and a lead couple that’s about as interesting as a stack of wet cardboard.

Reviews

All the Beauty and the Bloodshed

Academy Award-winning director Laura Poitras (Citizenfour; My Country, My Country) doesn’t hold back in her latest documentary, a devastating portrait of fiery artist and activist Nan Goldin. Words like “heartbreaking” and “inspiring” are insufficient to describe this powerful story of community, activism, and survival.

Reviews

Stay The Night

After HR specialist Grace (Andrea Bang of Luce and TV’s Kim’s Convenience) is passed over for a promotion, she resolves to embrace spontaneity and have a one-night stand.  Little does she know that the handsome stranger she met in the bar (Joe Scarpellino) is really an NHL player from out of town navigating a professional setback of his own.

Festival Coverage

Toronto After Dark 2022: ‘The Lair’

Neil Marshall (Dog Soldiers, Doomsday, Hellboy) knows how to make a horror film.  The writer/director is responsible for the early 2000’s cult classic The Descent, a film that has been praised for its mature characterization of a group of women (a relatively novel concept, as far as early ’00s horror was concerned).  In addition to its dramatic and psychological elements, The Descent was also freaking terrifying.  Even the toughest, most hardened horror fans are quick to admit…

Reviews

Croc!

Croc! (also known as Crocodile Vengeance) is the first full-length feature from writer/director Paul W. Franklin — and, sadly, some of that inexperience shows through.

Reviews

True Things

While far from perfect, director Harry Wootliff’s (Only You) drama True Things is an excellent showcase for actor Ruth Wilson, as well as a challenging portrait of a woman caught between societal expectations and her own desire.

Reviews

The Class

Anthony Michael Hall (also serving as a producer) stars as an embittered school administrator in writer/director Nicholas Celozzi’s The Class, an update of the 1985 classic The Breakfast Club (in which Hall played the nerdy Brian Johnson).  Sadly, The Class never manages to grow beyond the shadow of its famous predecessor.