Articles by Shannon Page

Reviews

The Departure

There is nothing charming, insightful, or engaging about The Departure, writer/director Merland Hoxha’s first foray into feature-ish length cinema (the total runtime is just a little over an hour).

Reviews

Robert the Bruce

Intended as a sequel, of sorts, to Braveheart, Robert the Bruce sees Angus MacFadyen (Braveheart, Alive) reprise his role as the titular Scottish king.  Unfortunately, this is one of those movies with all the right ingredients – but no spark.

Reviews

Hope Gap

One thing that can be said in Hope Gap’s favour is that it has a strong sense of place.  Filmed in Seaford, Sussex, the stunning white cliffs, quaint village streets, and the dark stone beaches are displayed wonderfully.  Hope Gap is, at points, a visually beautiful film;  unfortunately, it isn’t a particularly interesting one.

Reviews

Road to the Lemon Grove

Road to the Lemon Grove is at its best when it indulges fully in its love affair with Sicily.  Montages of food in market stalls, picturesque coastlines, narrow streets, fruit trees, donkeys – these are the most pleasurable moments in the film.  Unfortunately, they are all too frequently interrupted by a forced plot, underdeveloped characters, and an awkward premise.

One-on-Ones

Wylie Writes’ One-On-One with Veronica Ngo

Furie, the highest grossing Vietnamese movie of all time, took North America’s digital platform by storm last month.  What’s perhaps even more notable is how the vehicle has propelled Veronia Ngo to action heroine status.  Ngo (Bright, Star Wars: The Last Jedi) stars as provoked mother Hai Phuong who will do anything (and fight anyone) to save her kidnapped daughter.

Reviews

Roads in February

Directed and Written by Katherine Jerkovic, Roads in February is a beautifully shot and immersive film that explores the relationship between a young Hispanic Canadian named Sara (Arlen Aguayo-Stewart), and her grandmother (Gloria Demassi).

Reviews

Furie

I’ll cut right to the chase: it was difficult to find anything to criticize in this gem of an action flick, and audiences who enjoy martial arts, women who kick ass, and gorgeous cinematography should probably check out Furie as soon as humanly possible.