Searching for Ingmar Bergman, a new documentary from renowned German filmmaker Margarethe von Trotta, is an intimate portrait of the famed Swedish filmmaker’s life and legacy, focusing both on his voluminous oeuvre (Bergman’s first film credit as a screenwriter in the early 1940s to his last film, Saraband, in 2004) and his family life.
Articles by Mark Barber
Number 37, which recently premiered this summer at the Fantasia Festival, proves an old argument: some films should not be remade. In this case, director Nosipho Dumisa has updated and resituated Alfred Hitchcock’s classic thriller Rear Window within the generic contours of the gangster sub-genre.
Jude S. Walko makes his directorial feature debut with the haunted castle horror flick The Incantation, which falls short in providing the scares.
Jamie Adams’ Alright Now, a romantic dramedy following a rock star following a particularly brutal double breakup, boasts that it is completely improvised. Here’s the funny thing about improvisation: you need actors who are good at it.
The central character in Dave Schwep’s Broken Star is a young actress fallen from grace: a drug-addicted, manipulative monster. Markey Marlowe (Crazy, Stupid, Love’s Analeigh Tipton) – a character and name that sounds like it’s come right out of a 1940s film noir – is placed on house arrest, with her only company being reclusive landlord Daryl (Tyler Labine of Mountain Men), whose grandmother has recently passed away. Over time, Marlowe manipulates Daryl into attacking those…
Fleeting moments of marital bliss is the subject of Rebecca Addelman’s Paper Year, a film that explores the tumultuous first year of marriage between two millennials living precariously in Los Angeles. Although largely sympathetic to its central couple, Paper Year often feels like it would have more potential as a cautionary tale for young lovers trying to make it big in the entertainment industry. Though, perhaps it is the balance between sympathy and cautionary that…
The Commuter, the new film from celebrated cross-genre filmmaker Jaume Collet-Serra, pairs the acclaimed vulgar auteur once again with Liam Neeson (following 2011’s Unknown, 2014’s Non-Stop and 2015’s Run All Night) to deliver a thrilling high concept action film with timely yet flawed social commentary.
The tagline for The Limehouse Golem boasts that its fictional Victorian London serial killer precedes the infamous Jack the Ripper. We have yet to see a compelling cinematic take on the Ripper murders (including the Hughes Brothers’ tragically underwhelming Johnny Depp vehicle From Hell). Though it merely draws inspiration from the Ripper, The Limehouse Golem suggests that we may have to wait a bit longer.
Neasa Ní Chianáin and David Rane’s observational documentary, School Life, is an intimate look at the daily life at Headfort, a centuries old primary Irish boarding school. The school is run by John and Amanda Leydon, who instruct their young students on a the usual range of disciplines – math, science, languages, sport, and music.
Reintegrating kidnappees into society is familiar territory, but Dave McCary’s Brigsby Bear adds a charming, unique twist to the narrative. With a cast and crew populated by Saturday Night Live staff (including director Dave McCary, co-writer and star Kyle Mooney, and producer and co-star Andy Samberg), Brigsby Bear lacks the cynicism typically associated with themes of nostalgia; instead, Brigsby is rather heartwarming in its absurdity.