His House not only offers a new take on haunted horrors, but it offers a weaved interpretation of grief and guilt that’s both innovative and effectual. It’s essentially the ideal horror movie for audiences looking for scares and substance.
Come Play feels like a natural throwback to traditional horror, where filmmakers build creative lore for a creature new to the genre. In this case, the monster is “Larry”: large, scaly, and looking for a companion. Larry zeroes in on Oliver (Azhy Robertson), a non-verbal outsider with Autism who struggles to make friends at school. We don’t know how long Larry has been observing Oliver for, but it must’ve been enough time for the creature…
Don’t count out Mass Hysteria as just another holiday comedy. What appears to be a silly, seasonal National Lampoon-copycat at first turns out to be a pretty funny and original horror-comedy worthy of an annual watch around Halloween.
György Pálfi’s His Master’s Voice is a thoroughly confusing, questionably plotted sci-fi film that is hindered by a myriad of subplots, vague ideas, and an ultimately unsuccessful attempt to combine traditional fictional filmmaking practices with mock-documentary elements.
This month, let alone this year, seems to be really early to release a documentary about the current COVID-19 global pandemic. This film, Totally Under Control, concludes by stating that one day after wrapping President Donald Trump tested positive for the virus, which is an indication as to how wet the paint still is on this project. The release could be because, as we close in on this year’s presidential election, the documentary wants to serve…
“If Jim Jones could convince nine hundred people to kill themselves, we could convince nine hundred people to send us a dollar.” This line alone describes the Church of the SubGenius to a T.
Fugue is one of those movies that requires its audience to be a blank slate to be truly effective. If you want to get the most out of this film, it is best to go in knowing as little as possible about what happens.
By: Trevor Chartrand Director Nathan Grossman takes an observational, fly-on-the wall approach with I Am Greta, a documentary that follows climate-change obsessed Swedish teen Greta Thunberg on her quest to raise awareness for the climate justice cause. However, much like the politicians who aren’t listening to Greta, the hands-off, reserved filmmaking style fails to become involved enough in the issues to inspire a call to action of any kind.
100% Wolf is a thought-free zone for kids and adults alike. A plus for viewers wanting to look at bright colours and flashing lights, but a bit of a bummer for those who like their animation a little less hyper. Even if young movie goers enjoy the mindless entertainment that 100% Wolf is dishing out, they still might have a hard time grasping the storyline and the type of frenetic fantasy it relishes in.
Percy is supposed to be an empowering biopic based on the struggle of an independent Canadian canola farmer being silenced and pushed out of a family business by a bigger, faceless corporation; accusing the Saskatchewan farmer, Percy Schmeiser, of stealing seeds when GMO contaminants are found in his crops. The potential is there, but director Clark Johnson (S.W.A.T., Netflix’s Juanita) and screenwriters Garfield Lindsay Miller and Hilary Pryor haven’t provided other requirements to earn the attention…