By: Trevor Chartrand After sweeping the festival circuit, Badsville continues its public theatrical run at Toronto’s Carlton Cinema with a VOD/digital release planned for early this year. I recently talked with director April Mullen and screenwriters/actors Benjamin Barrett and Ian McLaren about the inspirations behind their latest film.
The Open House is like the inside of a balloon before you blow it up with helium.
Monolith is one of the dumbest movies I’ve ever seen and – god help me – I’m giving it a real recommendation the film should pride itself with.
Sometimes a title can sum up a movie, and The Misguided is the latest victim.
Ava is a slow but decent coming-of-age drama about children trying to understand their parents and vice versa.
Most of the “no-namers” who started on FOX’s smash series Glee have since established their careers in film and television.
By: Jessica Goddard Paul McGuigan’s Film Stars Don’t Die in Liverpool is a sappy, sweet, and rich examination of the relationship between Oscar winner Gloria Grahame (Annette Bening) and aspiring actor Peter Turner (Jamie Bell), some thirty years her junior. It’s a movie about a lot of things; their weird but earnest age gap romance, the eccentric persona of the former film starlet, the panic spiral associated with aging, the cutthroat nature of showbiz.
By: Trevor Chartrand Doomed by circumstance, citizens of the gritty slum town Badsville are generally faced with two options: escape the city or die trying. In a corrupt town ruled by gangsters and criminals, the world built in director April Mullen’s Badsville may be bleak and daunting, but it’s not a world without hope.
By: Nick van Dinther Some films can be accused of lazy storytelling and a lack of risk. Well, neither apply to Peter Lynch’s Birdland. Unfortunately, Lynch’s convoluted ambition makes Birdland a very difficult film to follow.
Strawberry Flavored Plastic combines elements of found-footage horror and mockumentary to create a story about two documentarians (Nicholas Urda, Andreas Montejo) making a movie about a serial killer, Noel Rose (Aidan Bristow). With testimonials, first-person video, and video conferencing, the audience learns how this “film” slips out from underneath its makers and how it goes awry.