Shoplifters is a harrowing film of survival and hope.
Not to be confused with 2014’s brilliant ode to Roger Ebert, 2018’s Life Itself is a time-spanning family drama from Hollywood screenwriter and This Is Us creator Dan Fogelman. Fogelman has taken the clout he’s earned from his award-winning hit television show and he’s made a movie only an ambitious storyteller could make with a team of producers who trust his reputation.
There’s been a modest resurgence of oddball, family-friendly fantasies. We were reminded of it with Tim Burton’s Miss Peregrine’s Home for Peculiar Children, and now with Eli Roth’s The House with a Clock in Its Walls. While I’m more of a fan of how the former balanced all of its supernatural factors, I still really liked and admired Roth’s kooky flick about an uncle teaching his nephew the tricks of the trade to sorcery.
New Yorker Nina is a stand-up comic with a blunt repertoire. Her material is R-rated in a competitive way; as if she’s trying to out-disgust other comedians at the open mic. The truth, however, is her jokes are stale. They’re not worthless, but Nina’s routine is on autopilot. However, it’s what she has to do to survive in a world dominated by daunting masculinity and crass jokes.
An adventure is difficult to endure when it’s lacking thrills or fun. A film made by unenthused people is hard for an audience member to get wrapped up in. Antidote, a supernatural thriller starring mixed martial arts powerhouse Randy Couture, is an example of both unsavoury moviegoing situations.
The House That Jack Built has a lot to unpack, so thank goodness it’s two-and-a-half hours. Movie goers can compain about long runtimes but if this movie gave us anything shorter, the film would feel cut off at the knees – a fitting analogy for a viscerally grotesque feature.
By: Trevor Chartrand Director Ethan Hawke’s country music biopic Blaze leaves a lot to be desired – with a lot of atmosphere and not much narrative, this film is meandering and weak. To some, the film could perhaps be considered an abstract poem, akin to the music stylings of the late Blaze Foley, which I suppose should be commendable. However, given the more obscure nature of this film’s subject, the storytelling gaps will leave audiences…
Searching for Ingmar Bergman, a new documentary from renowned German filmmaker Margarethe von Trotta, is an intimate portrait of the famed Swedish filmmaker’s life and legacy, focusing both on his voluminous oeuvre (Bergman’s first film credit as a screenwriter in the early 1940s to his last film, Saraband, in 2004) and his family life.
Passing away last year at the age of 77, Roger Ailes left behind a divisive legacy in television broadcasting, as well as many controversies including suggestive misogyny and racism, sexual assault towards female journalists, and his petty temperament when things didn’t go his way.
Almost Almost Famous is high energy and often kind of cheesy – much like the performers it follows. While the film certainly isn’t terrible and there are a handful of moments that feel honest and genuine, this is a documentary that never quite manages to find its footing.