Anna and the Apocalypse (DIR. John McPhail) Another day, another multi-hyphenated genre film.
Prey (DIR. Dick Mass) Sometimes viewers are given the rare pleasure of experiencing a film that, by all intents and purposes, should be awful. Whether because of its genre’s history or just a general sense of ridiculousness, these films need to be dead on arrival, but sometimes a film is way better than it has any right to be. Dick Mass’ Prey, a film about a giant man-eating lion causing carnage in the streets of Amsterdam,…
I generally have a problem with documentarians who assume too much from their audience before their movie even begins. The purpose of most documentaries is to pitch ideas to viewers and then supply supported arguments – gradually warming over movie goers. A documentary like this one, Restoring Tomorrow, immediately expects viewers to be just as – if not more – attached to the subject manner than the doc’s own filmmaker, Aaron Wolf.
Overlord (DIR. Julius Avery) American soldiers are dropped into German-occupied France and need to prepare for the D-Day invasion, but they find that the Germans are involved in some messed-up stuff.
Jude S. Walko makes his directorial feature debut with the haunted castle horror flick The Incantation, which falls short in providing the scares.
The Hollow Child is a feature film debut for screenwriter Ben Rollo and director Jeremy Lutter, and it’s an efficient entry-level vehicle for both of them even if this horror feels like a retread.
By: Jessica Goddard From director Felix Van Groeningen (The Broken Circle Breakdown), Beautiful Boy is an affecting, thought-provoking account of one family’s experience with the cyclical realities of addiction, recovery, and relapse. The story is told sensitively – though sometimes confusingly – through a fragmented, flashback-heavy narrative structure.
Prospect (DIR. Chris Caldwell, Zeek Earl) First, we lived through “mumblecore”. Then, we were subjected to “mumblegore”. Now, it seems like the next logical step is to “mumblego” where no man has gone before. Case in point: Chris Caldwell and Zeek Earl’s exercise in furious navel-gazing, Prospect, a film so enamored by its own cleverness that it manages to make its modest runtime seem endless. A film whose total lack of direction in favour of world-building…
Out of everyone in Hollywood, I least expected comedian Ike Barinholtz (The Mindy Project, Neighbours 2: Sorority Rising, Blockers) to write and direct an impassionately-charged social satire that hilariously addresses today’s disturbing political divide.
By: Jessica Goddard An engrossing call-to-action documentary by the late Rob Stewart, Sharkwater: Extinction is a brave journalistic exploration further into the destructive shark fin trade, following up 2006’s acclaimed Sharkwater.