Nelly, a gung-ho private detective, and Simon, an aspiring anthropologist, make an unlikely heroic pair in Nelly & Simon: Mission Yeti, a colourful French-Canadian action/adventure yarn from directors Nancy Florence Savard and Pierre Greco.
The foxtrot, as you may know, is a dance – the movie reminds us of that. The first position is the same as the last, which the film (of the same name) uses as a metaphorical device to encompass the fate of the characters we see on screen.
Supa Modo hit an emotional sweet spot with me, as I’m sure it will with TIFF Kids audiences. It’s easy to engage with a film that has this much optimism and zest.
Across the past couple decades, Armando Iannucci has repeatedly shown himself to be one of the most important voices working in comedy. Whether we are discussing his hand in the creation of Alan Partridge or his blatantly political work in The Thick of It and Veep, Iannucci has shown that he has his hand on the comedic pulse of whatever age he may be in. Now, he’s decided to take on a new experiment: a…
One thing that tends to endear viewers to a film is something that has been described as a “personal” style of filmmaking. When the director finds something that they have a deep personal connection with and they present it to us in an authentic, unpretentious way, that is usually something to be commended. Unfortunately, it is also possible to become too personal, giving up certain aesthetic qualities in favour of familiarity. When that happens, the…
Next Door Spy is this generation’s Harriet the Spy. At least, that’s what it’s aspiring to be. Unfortunately, this competently animated Danish film isn’t ready to play.
Hell’s Kitty, a film that has been assembled from a web series of the same name conceived by writer/director Nicholas Tana, makes for an amusing in-joke for horror hounds. The cameos alone from iconic character actors are enough to make those fans beam. For instance, The Hills Have Eyes’ Michael Berryman appears as a testy detective, while Heir’s Bill Oberst Jr. and The Shape of Water’s Doug Jones star as a devout duo who attempt to exorcize…
Juggernaut has an element it excels in – troubled characters gradually bringing their brooding funk to an explosive spill. I’d like to believe writer/director Daniel DiMarco is aware of how his film works, but the filmmaker consistently sidesteps around this area of strength. I don’t think DiMarco is clueless, but he’s making too much trouble for himself to seek out a challenge.
The Wasting is a small film with large misfires. It’s an unfortunate directorial debut from documentary writer Carolyn Saunders and, boy, what a reluctant debut it is.
The Oscars are tomorrow! In the meantime, allow Wylie Writes’ writers to guide you through their picks for the best films of 2017. Don’t forget to click the highlighted titles to read each contributor’s review.