By: Trevor Chartrand Apatow-comedy veteran Jonah Hill has diversified his career path considerably in recent years, taking on darker and more intense roles. Now he’s taken another step into new territory, this time helming a film from behind the camera: Mid90s is Hill’s directorial debut, and it’s chock-full of surprises.
Alopecia, an autoimmune condition that causes hair loss of different degrees, is an issue that forces those living with it to be in a constant state of awareness; having to find their own individual way to address it. This self-conscious struggle of those personally effected is the topic at bay in Foxy, a concern that was also hindering co-director/co-writer/star Trista Suke before making this thesis project with co-director/co-writer Ellis Poleyko.
I Am a Hero (DIR. Shinsuke Sato) I Am a Hero is long. That is not often how a review will start, but that may be the most remarkable thing about this new zombie film from Japan – running at over two hours, it is needlessly long. Otherwise, it doesn’t reinvent or make any new addition to the zombie mythos, it doesn’t have anything interesting to say, and it doesn’t really pick up until the third…
Anna and the Apocalypse (DIR. John McPhail) Another day, another multi-hyphenated genre film.
Prey (DIR. Dick Mass) Sometimes viewers are given the rare pleasure of experiencing a film that, by all intents and purposes, should be awful. Whether because of its genre’s history or just a general sense of ridiculousness, these films need to be dead on arrival, but sometimes a film is way better than it has any right to be. Dick Mass’ Prey, a film about a giant man-eating lion causing carnage in the streets of Amsterdam,…
I generally have a problem with documentarians who assume too much from their audience before their movie even begins. The purpose of most documentaries is to pitch ideas to viewers and then supply supported arguments – gradually warming over movie goers. A documentary like this one, Restoring Tomorrow, immediately expects viewers to be just as – if not more – attached to the subject manner than the doc’s own filmmaker, Aaron Wolf.
Overlord (DIR. Julius Avery) American soldiers are dropped into German-occupied France and need to prepare for the D-Day invasion, but they find that the Germans are involved in some messed-up stuff.
Jude S. Walko makes his directorial feature debut with the haunted castle horror flick The Incantation, which falls short in providing the scares.
The Hollow Child is a feature film debut for screenwriter Ben Rollo and director Jeremy Lutter, and it’s an efficient entry-level vehicle for both of them even if this horror feels like a retread.
By: Jessica Goddard From director Felix Van Groeningen (The Broken Circle Breakdown), Beautiful Boy is an affecting, thought-provoking account of one family’s experience with the cyclical realities of addiction, recovery, and relapse. The story is told sensitively – though sometimes confusingly – through a fragmented, flashback-heavy narrative structure.