The Old Guard, a boring misfire from director Gina Prince-Bythewood (Love & Basketball, Beyond the Lights) and writer Greg Rucka, is an action/thriller with no stakes.
The writer and director team behind Kiss and Cry continue to bring audiences terrific crowd-pleasers with their latest endeavour From the Vine, an endearing film about the importance of heritage and happiness.
My experience with the minimalist work of Kelly Reichardt is limited. I had disliked her drab period piece Meek’s Cutoff, but I seemed to be in the minority; I gave her the benefit of the doubt. But after watching her latest drama First Cow, another dull yet highly acclaimed period piece, I’m sticking by my guns but I’m not so forgiving.
It’s fitting that Trolls World Tour is about accepting outsiders for who they are because, here I am, I’m a critic watching a sequel to an original film I never saw. I heard 2016’s Trolls was a pleasant surprise, but I never got around to finding that out for myself. Luckily for me, I could hop into Trolls World Tour and quickly get the gist of the characters, the imagination, and the amazing animation that…
By: Trevor Chartrand An edgy sci-fi thriller, Volition combines Back to the Future with Groundhog Day, though it takes a much darker approach. Director/co-writer Tony Dean Smith takes audiences for an interesting ride in this day-in-the-life time travel story.
By: Trevor Chartrand Fisherman’s Friends is a charming little movie that celebrates the strength of a close community, shining its spotlight on a gang of quirky singing fisherman from Port Isaac, UK. Unlike the throat lozenge brand that shares this same title, this film goes down smooth and easy – and it won’t leave a bad taste in your mouth.
The filmmakers of Buffaloed believe more isn’t enough. It’s a movie that seems to be shouting and swearing for the audience’s enjoyment but, because there’s so much of it, viewers can’t help but zone out until the actors wind back down. A detrimental criticism considering the film’s underdog story requires our full attention.
It’s been an unpredictable year for movies, but 2020 has offered plenty of memorable titles – which is not always a compliment.
Will Patton and Mark O’Brien play a father and son on the run in Hammer, a sophomore feature from writer/director Christian Sparkes (Cast No Shadow). It’s Breaking Bad meets Beautiful Boy.
Somewhere in Dave Hill’s character drama Flying Cars is a really interesting documentary about radio-controlled car racing and its niche community.