The Internet of Everything is a rundown of the productivity in our current digital age. The documentary won’t bowl you over, but you’ll be happy that filmmaker Brett Gaylor has brought you up to speed.
Writer/director Geordie Sabbagh, as a storyteller, has a real grasp on the importance of conversations and, as a filmmaker, he’s figured out how to convey these discussions with flavour.
Canadian Strain takes place during a recent and specific tipping point in our country – the legalization of cannabis. Through the eyes of Torontonian drug dealer Anne Banting (Workin’ Moms’ Jess Salgueiro), movie goers observe how newly implemented policies (with various asterisks) can transform a society; even if that change happens over the course of a brief time span.
It breaks my heart to give Ne Zha a negative review because it’s such a beautifully animated piece of work. Boredom has never been this beautiful.
The Whistlers is a good thriller, but what’s really interesting about Corneliu Porumboiu’s movie is that it rivals similar blockbusters – even though both films are much different in scale.
My Spy is the latest addition to a very specific sub-genre that features a rough n’ tough action star dialling it down to shape a more family-friendly image. Dave Bautista, of Guardians of the Galaxy fame, reports for duty in My Spy, following in the steps of fellow wrestlers John Cena and Tyler Mane (Playing With Fire), Vin Diesel (The Pacifier), and Arnold Schwarzenegger (Kindergarten Cop). The film that has had the most persuasion over…
Sometimes, the most reassuring type of storytelling is the kind that unexpectedly reels you in with material you formally thought was uninteresting. Such is the case for Claire McCarthy’s Ophelia. As a viewer with limited knowledge (and interest) of the classic works of William Shakespeare, I couldn’t help but be swept up in the characters and drama of McCarthy’s reenvisioning.
Afterward is a personal documentary for Ofra Bloch. With a career in psychoanalysis and a desire to make a movie, she sets out to talk with people of various backgrounds about how they’ve been effected by their culture’s history, followed by discussions examining guilt. And with so much cultural animosity taking place in the modern world, Bloch digs deeper to see is if these claims are proven to be contradictive of current discrimination, and then pushes further…
One thing that can be said in Hope Gap’s favour is that it has a strong sense of place. Filmed in Seaford, Sussex, the stunning white cliffs, quaint village streets, and the dark stone beaches are displayed wonderfully. Hope Gap is, at points, a visually beautiful film; unfortunately, it isn’t a particularly interesting one.
Greenlight works as a thriller, but I can also see it being a cathartic outlet for student filmmakers looking to cut their teeth in an exclusive industry.