Environmental lawyer Aurora (Noëlle Schönwald) has sought out refuge in Canada after her husband is mysteriously killed. She flees across the border from Columbia and then, after some additional information is explained about Aurora’s backstory, the film fast-forwards to the refugee’s contemporary lifestyle in Toronto. Despite finding new roots and separating herself from the past, recent sightings of her late husband around the city have Aurora second-guessing her identity.
Anthony Michael Hall (also serving as a producer) stars as an embittered school administrator in writer/director Nicholas Celozzi’s The Class, an update of the 1985 classic The Breakfast Club (in which Hall played the nerdy Brian Johnson). Sadly, The Class never manages to grow beyond the shadow of its famous predecessor.
Filmed against the lush hills of the Czech Republic, writer/director Petr Jákl’s historical action-epic about the early life of Czech national hero Jan Zizka (Ben Foster of Hell or High Water and Hustle) is an intense sensory experience that stumbles on its intricate politics.
Set in the early-2000s, I Like Movies alternates between the double life of 17-year-old Burlington native Lawrence Kweller (Isiah Lehtinen) as an outspoken high school senior and an obsessive film buff at his local video store, Sequels Video. Lawrence is an opinionated know-it-all under both roofs, but he feels more in his element at Sequels and is elated when they finally hire him on as an employee.
As much as I would love to compare David Cronenberg’s Crimes of the Future to his earlier horrors, I’m afraid I’m unqualified because I haven’t seen enough of that catalogue. However, I can see a contrast between the Canadian’s long-awaited return to filmmaking and his other recent dramatic work such as A History of Violence, Eastern Promises, and A Dangerous Method – all of which also star Viggo Mortensen. Crimes of the Future, a gruesome…
By: Jeff Ching While watching This Land, I was reminded of 2011’s experimental documentary Life in a Day. For that movie (produced by Ridley Scott, directed by Kevin Macdonald), participants all over the world were asked to shoot a day in their lives (July 24, 2010) and the finished film would serve as a time capsule to capture a collective human experience, with the main theme of interconnectedness. This Land (executive produced by Jim Cummings of Thunder Road…
Just when you think disingenuous spiritual leaders have been satirized every which way, along comes Honk For Jesus. Save Your Soul. from filmmaking siblings Adamma and Adanne Ebo (the former wrote and directed, the latter produced). The Ebos offer an original perspective with their feature film debut and, despite the familiar material, the film stands as a really strong dark dramedy about redefining redemption.
As rude and unappealing Funny Pages can be, it’s a brutally honest and funny character study of a young artist who channels trauma and grief into his aspirations to be a successful cartoonist. A true tale of an unlikely opportunist.
The Good Boss offers a mannered approach to the self-destructive character study; separating it from similar company pitched in a much more frantic, anxiety-inducing tone (Nose to Tail, Uncut Gems).
Written and directed by real-life couple Dominque Braun and Terrence Martin, Get Away If You Can is a surreal, and occasionally baffling, thriller.