The title of Steve-O’s new comedy special Gnarly, as expected, describes the stunt work peppered throughout the show as he raises the bar on his own shock factor with squeamish spectacles. However, the special should almost be titled Mea Culpa considering his stand-up routine, while off-the-wall, is holding his past destructive behaviour in contempt.
I Used to Go Here works as a coming-of-age story, a college comedy, and a self-reflective character piece. While the cast and crew deserve credit for how well the film pulls off this hat trick, writer/director Kris Rey is the glue holding this project together. With her latest film, Rey continues to prove her expertise in characterization and intentionally awkward comedy, and how magic can be made when those two elements are perfectly mixed together. I recently…
For a film titled Enter the Fat Dragon, the film doesn’t stew in heavyweight humour or reminisce on kung-fu nostalgia. When it does, it’s brief and appropriately justified for the story. A breath of fresh air when compared to other comedies that cash in on references and obvious prosthetics.
Pretending I’m a Superman: The Tony Hawk Video Game Story may be a crash course on the popular gaming staple, but it’s also about the waffling relevancy of skateboarding – a journey through its cultural ebb and flow – during the sport’s ongoing search for innovation.
I don’t think it’s always required for a filmmaker to have an opinion about war if their movie is about war. Sometimes, the movie simply exists to entertain or educate about a significant historical event. But, if a filmmaker was to tell a story about the effects of war (primarily the long-term psychological impact), I feel like the filmmaker should use the platform to send a message about the value of combat.
In Andrew Trauki’s Black Water: Abyss, five friends set out to investigate an unexplored cave system in Australia, only to discover that the cave is inhabited by a crocodile with a hankering for fresh meat. It’s a bit like someone decided it would be a good idea to mash together Lake Placid and The Descent (two movies I adore, despite their flaws) – but unfortunately, Black Water: Abyss lacks both the campy charm of the…
Short films do not get a fair shake in the modern cinematic world. Not only do they not get equal screening time in theatres, but they are also often ignored by critics; unless they are being reviewed as part of a bigger body of shorts. This is certainly disheartening, because these shorts often come from those who will compromise the future of film, and because you will occasionally come across something notable – something which…
Daniel Roby’s deftly directed thriller Target Number One fictionalizes the true story of a Quebecois drug addict who was imprisoned in Thailand as a result of a set-up by Canadian intelligence in the 1980s. Taking some of its procedural cues from Spotlight, Target Number One is a kinetic, uncompromising look at the impacts and importance of journalism on the overreach of power in counter-intelligence.
Things I Do For Money could be compared to 2004’s You Got Served, which is a movie I thought I wouldn’t be referencing 16 years later. Yet, here we are.
By: Jessica Goddard It’s an intriguing premise: a crude ex-convict will stop at nothing to build a motivational speaking empire. Tijuana Jackson is unrefined, unreliable, and painfully pompous; but for better or for worse, he is motivated.