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Man Proposes, God Disposes

An uninhibited lifestyle of mischief comes to a halt for Karol (Mateusz Nedza) when he receives a call from Bruna (Bruna Massarelli) about their expectant child.  The pregnancy comes as a surprise to both of them after a one-night-stand and Bruna arrives back to her home in São Paulo, Brazil.  Angry but still taking responsibility for this new chapter, Karol relocates to Brazil to prepare with Bruna, but also to be a loyal parent – unlike his…

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Jay & Silent Bob Reboot

Kevin Smith and Jason Mewes reprise their self-made iconic roles, New Jersey’s infamous stoners Jay and Silent Bob, in Jay & Silent Bob Reboot.  While the film is certainly fan service, the results are funny, off-the-wall, and – dare I say – sweet.

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The Wave

By: Trevor Chartrand Director Gille Klabin hits a surprising home run with The Wave, a fast-paced, drug-fueled, comedy/thriller with an unexpectedly cathartic conclusion.  It’s a film rich in tone and atmosphere, similar to the time-slipping (500) Days of Summer or even Tim Burton’s whimsical Big Fish.  The movie is set in an enriched, highly-detailed world that would require multiple viewings to discover each layer of creative foreshadowing, and each hidden easter egg.

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Little Monsters

Little Monsters is a common zombie movie that’s been inspired by contemporary horror comedies (especially Shaun of the Dead’s slacker humour).  The reason it doesn’t fall into obscurity among the wash of other copycats is because the film stays light and merry while balancing morbid laughs.

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Les Misérables

The Academy Awards have been criticized for not being ambitious or diverse enough, which is true.  But, I’ve seen plenty of risks taken in the Best Foreign Language Film category;  mostly from movies I admire more than I actually enjoy.  This time last year, Lebanon’s Capernaum received a public theatrical run shortly after being nominated for the Best Foreign Language Film Oscar.  I remember walking away from the film with a heavy heart.  It was…

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Wrinkles the Clown

When I hear the names “Michael Beach Nichols and Christopher K. Walker” attached to a project, I drop everything I’m doing.  These two filmmakers are showcasing outstanding work in the documentary genre.  Their doc Welcome to Leith, about white supremacists targeting and flipping a small town into their own personal basecamp, was a terrifying look at the escalation of evil.  At first glance, their latest film Wrinkles the Clown looks to be as scary.  Their…

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The Lighthouse

After wowing audiences with his feature-length debut The Witch, writer/director Robert Eggers takes a big swing with The Lighthouse – a film with more specifications and fewer actors.  His latest film connected with many (our own Shahbaz Khayambashi loved it at TIFF), but it didn’t work for me.  I can appreciate the dedication of Robert Pattinson and Willem Dafoe (which translates into their memorable performances), but the actors are wasted on a movie that’s too muddled…

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Reality Queen!

Meet London Logo (Julia Faye West), an arrogant heiress who has somehow found fame for being present.  At one time, her elegance was popular.  But now, she clings on to any shred of attention by releasing music, an autobiography, and rebooting an on-air partnership with partygoer Rochelle Ritzy (Shelli Boone).  The pressure for relevance stems from her fear of being pushed out by trendy, big-bootied celebrity, Kristy Kim (Candace Kita).  As journalist Diana Smelt-Marlin (Kate…