Emma Seligman’s Shiva Baby is a comedy of manners from hell (in the best way possible).
At a time when drag has made its way into mainstream media (thanks, in no small part, to the Emmy winning reality television show Ru Paul’s Drag Race), Jump, Darling stands as a much-needed antidote to the commodification of an art form that was created by and for queer and trans people. It isn’t a bad thing that straight folks these days know what a death drop is, but at times it does feel as…
Jillian Bell (Office Christmas Party) and Steve Zahn (Saving Silverman) play against their comedic type in Cowboys, a solid family drama that could also be interpreted as an unconventional buddy western between Zahn and young breakout Sasha Knight.
By: Trevor Chartrand Falling is the incredibly strong directorial debut from Viggo Mortensen, featuring fully-realized characters in a well-constructed, grounded world. The film illustrates humanity at its most raw in this powerfully compelling and dramatic character study.
The Prom is a musical about a group of famous performers who use their clout and flashy personalities to make a stand against the discrimination of the LGBT community. However, despite how inspiring this story is supposed to be, the movie is also supposed to be satirizing celebrities who are more concerned about their image than the cause they’re fighting for. It’s a piece of irony that’s lost on The Prom, a film that wants…
Lenin M. Sivam’s Roobha explores two intersecting narratives: one, a young dancer, Roobha (Amrit Sandhu), a transgender woman living on the streets; two, an older bartender Antony (Jesuthasan Antonythasan) whose poor lifestyle choices have severally worsened his health. The two unexpectedly fall in love, creating tension in both characters’ lives.
Director, writer, and star Frederick Keeve demonstrates a strong imagination but a weak sense of dramatic ability in his feature The Accompanist, a story about a gay piano accompanist who becomes infatuated with a male ballerina amidst a series of tragedies that befall both men.
Two years ago, I seemed to be on the wrong side of the tracks when discussing Netflix’s bubblegum teen movie To All the Boys I’ve Loved Before. Everyone threw their arms around it, except for me who thought teenagers deserved a smarter movie. Excuse my déjà vu as I find myself in the same dilemma. The reviews are in for Netflix’s latest fluffy flick The Half of It and people find it endearing, except for…
Jennie Livingston’s award-winning documentary Paris Is Burning has received a 4K restoration twenty-eight years after its initial release, and it’ll screen in select theatres across Canada throughout the year. I believe the re-release was planned in part to curate the footage, but also because the documentary is relevant as ever.
At the End of the Day comes from a good place, but its execution is rough.