Acclaimed character actor Bill Nighy has earned his first Oscar nomination for his lead performance in Oliver Hermanus’ Living, a retelling of Akira Kurosawa’s Ikiru set in 1950s London. Nighy more than deserves the nomination. This isn’t a case of his peers tipping their hats to his legacy of work. The role of Williams, an intimidating yet reclusive boss who learns about a critical health diagnosis giving him six months to live, is a change…
You People takes audiences through not one but two story formulas – the fish-out-of-water culture clash that could occur between two separate parties, and the road towards a wedding. While this could be seen as a crutch for the filmmakers, this whip-smart comedy becomes the exception. Much like how Hustle exhibited last year, You People reminds us that routine storytelling can be forgiven if the film excels in other areas. You People is funny –…
To say Florian Zeller’s The Son isn’t as successful as his 2020 Academy Award winner The Father would be an understatement. While it’s a mediocre family drama, it doesn’t resonate nearly as much as its predecessor did because of how narratively basic and emotionally broad it is.
When assault accusations and confessions rise to the surface, the attention is usually – and surprisingly – scattered. I always assume that all the focus would be towards the victims first, followed by the perpetrator and other elements in the story but, sadly, that’s not always the case. Although the #MeToo movement helped shed light on these crimes, there’s still difficulty to deliver justice or invest trust towards victims.
By: Liam Parker Jerzy Skolimowski’s EO, a 90% dialogue-free, Polish film whose protagonist is a donkey, is one of the most interesting films of 2022. The movie, named after its donkey, centres itself on the melancholic ex-circus animal as he travels the continent of Europe; witnessing the worst and best sides of human nature and chronicling a microcosm of modern European life along the way.
Writer/director Hirokazu Kore-eda, who made a strong impression with 2018’s Shoplifters, revisits conflicting perspectives in Broker.
By: Trevor Chartrand With the title alone, Firenado makes its intentions (or lack of intentions, perhaps) clear right off the bat: this is not a movie to be taken seriously. As if a film like this ever could be. This flaming twister of a motion picture is a zero-effort waste of your time – in the most entertaining ways possible.
From the producers of Poor Agnes comes the provocatively titled Happy FKN Sunshine feels, an angry indie with a vague connection to its story.
As one of the very first celebrity chefs, Charlie Trotter spent the early 2000s on top of the culinary world. In her new documentary Love, Charlie: The Rise and Fall of Chef Charlie Trotter, writer/director Rebecca Halpern (History Channel’s Gangland) traces Charlie’s rise to prominence and the enduring mark that he left on the culinary world.
The marketing campaign for Bros was based around its groundbreaking elements, reminding viewers that the LGBTQ+ cast on screen were out and proud and that everyone involved was working on telling an honest romance from the queer perspective. It’s also, reportedly, the first widely released rom-com of its ilk. That’s great and I’m elated for the production but, at the end of the day, what’s the word on the movie itself?