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Saw X

By: Jeff Ching The Saw series made it all the way to ten – wow.  Before being notified about the screening, I had no idea the series had this many movies.  I stopped after Saw III, I kind of lost track of the timeline after, maybe, Saw IV.  Saw III was funny to poke fun at, with how elaborate “Jigsaw’s” plan was and how he must have a 300 IQ and put Nostradamus to shame for anticipating absolutely every…

Reviews

It Lives Inside

Horror movies often have an allegorical thread within them and, currently, it’s hard to spot a story in one of these spooky flicks that doesn’t also double for another, deeper meaning.  While the efforts are usually appreciated when filmmakers try to push themselves, sometimes their movies are simply too good at fulfilling the broader strokes.  Such is the case for Bishal Dutta’s It Lives Inside.

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R.L. Stine’s Zombie Town

Let’s compare R.L. Stine’s Zombie Town to past adapted media based on the work of the titular author: if Netflix’s Fear Street trilogy was for adults, and the 90s era Goosebumps television show was for teenagers, and the recent Goosebumps films (featuring Jack Black) are for kids, then Zombie Town is for really young children.  I’m wondering what the next level down would be – short stories for fetuses about expectant mothers who eat too…

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Talk to Me

By: Jolie Featherstone Talk to Me, by brothers Danny and Michael Philippou (a.k.a. RackaRacka of YouTube fame), is a modern folk tale charged with the rush and hook of viral trends, and the desperate compulsion of grief.

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Outpost

By: Trevor Chartrand Having written and directed Outpost, actor Joe Lo Truglio demonstrates a keen eye for the eerie and uncomfortable with this surprisingly dark and effective thriller that serves as a significant departure from the Brooklyn Nine-Nine star’s comedic wheelhouse.

Reviews

Summoning Sylvia

Does outrageous entertainment made by the LGBTQ community always have to be “campy”?  That’s a question that I asked myself between laughs during Summoning Sylvia, a wacky horror-comedy that serves as a directorial debut for Broadway actors Wesley Taylor and Alex Wyse.