Becky was an outrageous home invasion thriller that made for ideal late-night entertainment. The movie didn’t necessarily warrant a sequel but, if it set out to be as fun as its predecessor, I’d welcome it. After watching Wrath of Becky, I wish I had reconsidered.
As I reflect on Netflix’s mediocre actioner The Mother, Jennifer Lopez’s career keeps clouding my thoughts.
Mighty Morphin Power Rangers: Once & Always is almost experimental in its nostalgia. It doesn’t nudge or wink at the viewer, and it shows that it isn’t “in” on any meta jokes or gags. And, it doesn’t feature outsiders trying to copy an older property (ala The Three Stooges). Instead, this exclusive hour-long special for Netflix, made by people who are more than experienced with this long-running show, plays out like a two-parter without Saturday…
Mafia Mamma is a badly executed fish-out-of-water movie that features rushed filmmaking and a slipshod script, as well as lavish destination scenery and good-looking men and women practically straddling the leading lady. Not a good look for either director Catherine Hardwicke (Thirteen, Twilight, Miss Bala) or producer/star Toni Collette, who reunite since working together on 2015’s Miss You Already.
Simulant is a good recommendation for those looking for a solid sci-fi action/thriller and in-the-moment entertainment. The film doesn’t have much resonance after the credits roll, but I thoroughly enjoyed being in this futuristic story that’s executed well enough by director April Mullen (88, Farhope Tower, Badsville) and adequately written by screenwriter Ryan Christopher Churchill.
By: Jolie Featherstone This is Santa like you’ve never seen him before. Tommy Wirkola’s Violent Night is a bloody action flick blended with some heart-warming Christmas cheer. But yeah, lots of blood.
A dependable cast (which includes Ryan Gosling, Chris Evans, Ana de Armas, Billy Bob Thornton, and Julia Butters) is let down by weak storytelling and sloppy filmmaking in Netflix’s summer blockbuster The Gray Man.
Ted Betz’s directorial debut, Escape Through Africa, is an ambitious action romp – but a limited budget and unpolished script make for a tedious viewing experience.
