Latest

Wylie Writes

Reviews

Buffaloed

The filmmakers of Buffaloed believe more isn’t enough.  It’s a movie that seems to be shouting and swearing for the audience’s enjoyment but, because there’s so much of it, viewers can’t help but zone out until the actors wind back down.  A detrimental criticism considering the film’s underdog story requires our full attention.

Reviews

The Hunt

The Hunt is more politically charged than expected.  It’s also more cartoony than expected.  It’s a sardonically funny thriller that points out hypocrisies of right-wing and left-wing beliefs, and favours extravagantly violent finales over mutual understandings.  Cynical, yes;  but The Hunt is a really ballsy movie for strapping on a blast suit and barrelling through such edgy, non-partisan material.

Reviews

The Rest of Us

The Rest of Us needs a low triple-digit runtime, but sets up a needless challenge for itself to tell its story in under 80 minutes.  What’s the hurry?  And if filmmaker Aisling Chin-Yee has to compromise the narrative with condensed scenes and sharp edits to win the challenge, what’s the point?

Reviews

The Departure

There is nothing charming, insightful, or engaging about The Departure, writer/director Merland Hoxha’s first foray into feature-ish length cinema (the total runtime is just a little over an hour).

Reviews

You Don’t Nomi

Jeffrey McHale’s documentary You Don’t Nomi dissects 1995’s much maligned racy drama Showgirls in a similar way that Rodney Aster’s Room 237 delved into different theories on Stanley Kubrick’s adaptation of The Shining. Both films are about how cult interest breathed new life into a filmmaker’s original vision, however the difference between the documentaries stems from their points of interest. Room 237 was about how movie goers have interpreted visual totems within the film. You…