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Willem Dafoe

Reviews

The Lighthouse

After wowing audiences with his feature-length debut The Witch, writer/director Robert Eggers takes a big swing with The Lighthouse – a film with more specifications and fewer actors.  His latest film connected with many (our own Shahbaz Khayambashi loved it at TIFF), but it didn’t work for me.  I can appreciate the dedication of Robert Pattinson and Willem Dafoe (which translates into their memorable performances), but the actors are wasted on a movie that’s too muddled…

Reviews

The Lighthouse

When Robert Eggers appeared on the cinematic scene with The Witch at 2015’s Sundance Film Festival, he exposed untold new ways to tell horror stories.  So, what can someone who has already reinvented a genre do to follow up such a work?  Eggers decided to use a similar formula—mainly the research of authentic historical documents that went into the screenplay’s creation of horror—to tell a brand-new story.  The results are great.

Festival Coverage

TIFF 2019: ‘The Lighthouse’

With The Witch, Robert Eggers showed the world that there were untold, new ways to tell horror stories.  So, what can someone who has already reinvented a genre do as a follow up?  Eggers decided to tell a new story based on the research of horrific authentic historical documents, and it works.

Reviews

Death Note

Death Note is a good movie, but it would’ve made a great miniseries.  Netflix’s fast-track adaptation of Tsugumi Ôba’s popular manga series is light on characterization, with a troublesome lack of introduction by screenwriters Jeremy Slater (The Lazarus Effect), Charley Parlapanides and Vlas Parlapanides (the Parlapanides’ wrote Immortals).

Festival Coverage

Hot Docs 2017: ‘Do Donkeys Act?’ and ‘Flames’

Do Donkeys Act? (DIR. David Redmon, Ashley Sabin) Do Donkeys Act? takes an animal that is not usually afforded much dignity – the donkey – and gives movie goers an opportunity to let the animals speak for themselves (without speaking). The film takes its audience to visit various donkey sanctuaries around the world, where donkeys that have been subjected to abuse or neglect are cared for, healed, and allowed to relax and retire.

Reviews

Out of the Furnace

By: Addison Wylie Why is it that Out of the Furnace has so many accomplishments going for it, yet it’s an impossible recommendation?  Telling someone to watch Out of the Furnace would be like telling someone to hold a bunch of wild snakes and assuring them they won’t get bit. Scott Cooper’s thriller is one of those movies you appreciate a few hours after having watched it.  Viewing Out of the Furnace for the first…

Reviews

Odd Thomas

By: Addison Wylie Odd Thomas is certainly an odd case indeed.  Stephen Sommers’ adaptation of Dean Koontz’s novel has good things about it, yet it has difficulty coming together as a whole. Anton Yelchin stars as Odd Thomas, a sweetly distraught hero with an ability to avenge the deaths of others.  He’s approached by silent spirits who then lead him on paths, and it’s his duty to right whatever wrongs he faces.  The local police…