The Odd Family: Zombie on Sale (DIR. Lee Min-jae) The zombie genre has always managed to survive because zombies, as a monster, are wholly dependent on the zeitgeist of the time. Since they are brainless creatures, their existence can generally be justified by the anxieties of the time (military industrial complex, consumerism, conformity, racism, etc.). While that is an advantage to sub-genre, most zombie films follow the same template. The Odd Family: Zombie on Sale is no…
Mister America could be the “nichiest” project ever made and, yes, I’m including Kevin Smith’s upcoming Jay and Silent Bob Reboot. But more importantly, Mister America is the level of Trump era satire we’ve been waiting for.
Controversial director/screenwriter Roger Avary returns to the director’s chair with Lucky Day, his first commercial release since 2002’s The Rules of Attraction.
By: Trevor Chartrand The beloved and monstrous Addams Family returns to cinemas this Halloween; animated for the first time ever on the big screen, and directed by the duo who brought adults Sausage Party. This new film focuses on a real estate mogul trying to drive monsters out of town (à la Shrek), Pugsley Addams’ bar mitzvah, Wednesday Addams’ teenage rebellion, Lurch endlessly playing pop songs on a piano, and a never-ending slurry of other superfluous subplots…
The intersection of comedy and thriller do not often mix well, especially in survivalist narratives. But Harpoon, even with its familiar survivalist tropes on display, evenly balances the two in an intense, frequently unpleasant, but endlessly watchable nightmare-at-sea.
The Rendezvous With Madness Festival, a unique collective of film screenings and live performances primarily focused on mental health awareness, takes place in various Toronto locations from October 10th – 20th. Wylie Writes’ Shahbaz Khayambashi received a sneak peek of some of the selected films.
Primal Rage is a creature feature, but it’s light on what the film is selling. For a special effects artist making his directorial debut, writer/director Patrick Magee often forgets about his film’s central beast.
Robbery is a solid drama that tells the compelling story of Frank (Art Hindle), a cerebral career criminal suffering from dementia. When his son, Richie (Jeremy Ferdman), finds himself the target of a dangerous organization to whom he owes money, Frank must come out of retirement and use the remnants of his mind to save his son. I talked with writer/director Corey Stanton to see where this surprisingly unique story came from.
Adam Bolt’s Human Nature, a scientific documentary about the advancements in genetic cures, is an accessible and thought-provoking film.
Sometimes Always Never sets out to be quirky, but comes out dorky. It takes pride in its uneven nuances, gushy sentimentality, and jokes about Scrabble. What saves the mild-mannered movie to an extent, however, is how the awkwardness is (sort of) embraced through its humour.