By: Trevor Chartrand Based on a play of the same name, Thom Fitzgerald’s Splinters would have been better off staying on stage. While a perfectly fine motion picture, the film is essentially an adequate and frankly mediocre entry into this year’s TIFF line-up.
By: Trevor Chartrand Sparse and atmospheric, writer/director Benjamin Gilmour’s Jirga is a visually stunning entry in this year’s TIFF lineup.
Sergei Loznitsa’s The Trial documents exactly what happens when dictatorial governmental powers are allowed to flourish and continue without question.
Filmmaker Zack Russell and actor Kayla Lorette team up for another surreal short film with 7A.
Featured in the festival’s Wavelengths selection, Andrea Bussmann’s Fausto shows audiences why this particular programme is so important for a well-rounded TIFF experience.
TIFF returns for another year, pushed along by their Tuesday announcement of gala and special presentation films. This first slate has the same level of films that frequently find their way into the earliest announcement: films that will eventually be nominated for Oscars, or be ignored for Oscars, or find their way into hot take articles about how they should have been nominated for Oscars.
By: Jessica Goddard Violeta Ayala’s Cocaine Prison is a Spanish language documentary that follows the intertwined lives of three people; two of which are entangled in the Bolivian justice system for their involvement in the illegal cocaine trade.
By: Jessica Goddard Kathleen Hepburn’s Never Steady, Never Still is a serious, greyscale, dragging meditation on subjects so inherently sombre, it’s practically masochistic to sit through the whole film without allowing yourself a break.
What happens when Andrey Zvyagintsev makes a political film with a female lead? A disappointing monstrosity that could’ve been a masterpiece with forty-percent discarded.
By: Jessica Goddard Mina Shum’s Meditation Park is an engaging, quirky, and empowering film about the overdue self-actualization of a Vancouver woman (Cheng Pei-pei) in light of the discovery of her husband’s affair. This thoroughly modern film also expertly highlights the immigrant experience in multicultural Canada, while making clear that the narrative is culturally universal. There is an exquisite balance of humour and poignancy in the writing, strengthened by an excellent cast.