TIFF

Festival Coverage

TIFF 2017: ‘Porcupine Lake’

It’s not healthy to compare movies, but I have a feeling I would’ve had greater appreciation for Ingrid Veninger’s Porcupine Lake if I hadn’t already seen Andrew Cividino’s Sleeping Giant.  Both are of Canadian origin, they take place over the course of a Summer away from home, and they follow a coming-of-age narrative with kids.

Festival Coverage

TIFF 2017: ‘Mary Shelley’

By: Jessica Goddard Mary Shelley is an appropriately dramatic and sentimental depiction of the early life of 19th century writer Mary Shelley (Elle Fanning), as well as a satisfying exploration of Shelley’s influences in writing her now-classic novel, Frankenstein.  The film focuses heavily on the arc(s) of Mary’s relationship with her eventual husband, Percy Bysshe Shelley (Douglas Booth);  always emphasizing the ways in which Mary’s famous Gothic novel is affected by the various traumas of…

Festival Coverage

Wylie Writes @ TIFF ’17 – Canadian Slate

Despite all the less-than-stellar changes made to TIFF this year, the festival continues to excel in giving a voice to Canadian filmmakers and video artists.  Representatives of TIFF, once again, gathered in the Fairmont Royal York hotel to announce Canadian films which will play at the festival this year and then – presumably – disappear into Canadian cinemas, where a few of them will compete with the latest Oscar bait and Hollywood slop.

Festival Coverage

Wylie Writes @ TIFF KIDS ’17

Currently, the TIFF Kids International Film Festival (April 7 – April 23) is hosting a variety of content; including exclusive film premieres, industry insight, and interactive activities.  I was fortunate enough to catch a couple of the premieres at this year’s TIFF Kids, and both films were encouraging examples from future storytellers.

Festival Coverage

TIFF 2016: ‘Abacus: Small Enough to Jail’

I was utterly enamoured by Steve James’ ode to film journalist Roger Ebert in 2014’s Life Itself.  My wife, on the other hand, found it difficult to tap in to and suggested it was because she didn’t have any preinvested interest.  With James’ latest doc Abacus: Small Enough to Jail, I relate to my wife’s prior disconnect.  Not because of the content, but because of the documentarian’s chosen genre.  Audiences who are riveted by courtroom…