TIFF 2023: ‘I Don’t Know Who You Are’
M.H. Murray’s I Don’t Know Who You Are is a well-meaning dramatic thriller that raises awareness about systemic abandonment felt by sexual abuse survivors.
TIFF
TIFF 2023: ‘Origin’
By: Jolie Featherstone Origin is Ava DuVernay’s latest film and it is, quite simply, a masterpiece.
TIFF 2023: ‘Motherland’
The anxiety-inducing energy in the short film Motherland speaks to Jasmin Mozzaffari’s multifaceted talents as a storyteller.
TIFF 2023: ‘Seagrass’
In Seagrass, writer/director Meredith Hama-Brown uses a tired-and-true formula of the “family getaway” to uncover new wrinkles in an, otherwise, ordinary unit.
TIFF 2023: ‘Summer Qamp’
By: Jolie Featherstone Jen Markowitz’s documentary Summer Qamp follows several teens as they attend Camp fYrefly – a camp in rural Alberta where queer, non-binary, and trans teens get to be themselves, surrounded by peers and counsellors who can relate to their experience. From the moment the campers arrive, the camp implements a framework of care. Whether it’s coming out as trans or climbing a rock wall, the campers are supported.
TIFF ’23: ‘The Feeling That The Time For Doing Something Has Passed’
By: Jolie Featherstone Joanna Arnow directs, writes, edits, and stars in the smartly droll The Feeling That The Time For Doing Something Has Passed, a directorial feature debut that takes an unflinching, but not bleak, look at Millennial ennui.
TIFF 2022: ‘Moonage Daydream’
Brett Morgen is a brilliant documentarian as seen in Jane and Kurt Cobain: Montage of Heck – the latter being one of the best movies ever made about a musician. His latest endeavour Moonage Daydream, a documentary about enigmatic artist David Bowie, is cut from the same cloth as Montage of Heck but, this time, it’s billed as more of a “cinematic experience”. And, it appears that most of the production’s focus has been applied…
TIFF 2022: ‘I Like Movies’
Set in the early-2000s, I Like Movies alternates between the double life of 17-year-old Burlington native Lawrence Kweller (Isiah Lehtinen) as an outspoken high school senior and an obsessive film buff at his local video store, Sequels Video. Lawrence is an opinionated know-it-all under both roofs, but he feels more in his element at Sequels and is elated when they finally hire him on as an employee.
The Body Remembers When the World Broke Open
Walking home on a dreary day in Vancouver, Áila (Elle-Máijá Tailfeathers) finds herself in the middle of an altercation between a surly man and a meek Indigenous woman. The woman, Rosie (Violet Nelson), has been roughed up. With instinctual grace and with Rosie’s permission, Áila steps in and separates Rosie from this argument, and invites the stranger into her house for safety and comfort.
