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Romance

Festival Coverage

Toronto After Dark 2019: ‘James vs. His Future Self’ and ‘Making Monsters’

James vs. His Future Self (DIR. Jeremy LaLonde) Jeremy LaLonde’s recent movies have truly owned their genre in a unique way.  The Go-Getters was a gleefully foul play on the traditional buddy formula, and How to Plan an Orgy in a Small Town was a charming sex comedy.  With James vs. His Future Self, LaLonde takes a swing at crossing science fiction with a romance – it’s a sweet success.

Reviews

Non-Fiction

By: Jolie Featherstone The latest film from Olivier Assayas (Personal Shopper, Clouds of Sils Maria) is a classic comedy of manners imbued with dry wit and social commentary aplenty set amongst the bourgeois-bohemian Parisian publishing world.

Reviews

Long Shot

By: Jessica Goddard Could a beautiful, successful, Type A presidential hopeful like Charlize Theron’s Charlotte fall in love with a slovenly, jobless, political cynic like Seth Rogen’s Fred?  Long Shot is wholly predictable in both its conclusion to this question, and in how it gets us there.  From the standard drug-fuelled escapade we’ve come to anticipate once per Seth Rogen film, to the “maybe if one day he shows up in nicer clothes she’ll start…

Reviews

Acquainted

Acquainted is the type of indie that wants to say something profound about romance.  Little does writer/director Natty Zavitz know, dozens of other movies have beat him to the punch.

Reviews

Into Invisible Light

Into Invisible Light would have had better compatibility on stage than how it currently plays in its cinematic scope.  As it is, the movie’s fine – decent even.  But by projecting itself to fill a larger space, Shelagh Carter’s modest dialogue-driven drama calls attention to its barebones aesthetics when really these details should be, well, invisible.