The premise Luke Eve’s I Met a Girl, a rather poignant road trip/love story, runs the risk of romanticizing mental illness, but manages to instead provide a positive opening for neurodiverse communities.
By: Trevor Chartrand Fisherman’s Friends is a charming little movie that celebrates the strength of a close community, shining its spotlight on a gang of quirky singing fisherman from Port Isaac, UK. Unlike the throat lozenge brand that shares this same title, this film goes down smooth and easy – and it won’t leave a bad taste in your mouth.
Director, writer, and star Frederick Keeve demonstrates a strong imagination but a weak sense of dramatic ability in his feature The Accompanist, a story about a gay piano accompanist who becomes infatuated with a male ballerina amidst a series of tragedies that befall both men.
Audiences have been spoiled with unique period films – Whit Stillman’s Love & Friendship, Yorgos Lanthimos’ Oscar winner The Favourite, and Greta Gerwig’s take on Louisa May Alcott’s Little Women. We’ve been shown that these rustic movies can exist outside of a formula, which makes Autumn de Wilde’s Emma a bit of a retrograded step. But, the conventional choices can be explained.
By: Jolie Featherstone Red Rover is a story for anyone who has felt unseen, unloved, and unworthy in a world where artifice and branding are systemically rewarded.
Two years ago, I seemed to be on the wrong side of the tracks when discussing Netflix’s bubblegum teen movie To All the Boys I’ve Loved Before. Everyone threw their arms around it, except for me who thought teenagers deserved a smarter movie. Excuse my déjà vu as I find myself in the same dilemma. The reviews are in for Netflix’s latest fluffy flick The Half of It and people find it endearing, except for…
Chris Bolan’s documentary A Secret Love is a sweet tearjerker that explores the nearly 70-year relationship between ex-All American Girls Professional Baseball League player Terry Donahue and her loyal partner Pat Henschel.
There seems to be an unhealthy trend of shooting and wrapping film productions within a short time frame (A Fall from Grace, Appiness). But for Toronto indie Space & Time, writer/director Shawn Gerrard sees the appeal of a patient process. Space & Time has been shot over the period of 11 months; allowing the film to naturally capture the passage of, well, space and time. This lends a potentially special quality to the film’s story…
Céline Sciamma’s highly acclaimed drama Portrait of a Lady on Fire is visceral filmmaking at its most eloquent. So much of this period piece hinges on textures, sights, and sounds to make the audience believe that we’re living through someone’s romantic memories.
James vs. His Future Self (DIR. Jeremy LaLonde) Jeremy LaLonde’s recent movies have truly owned their genre in a unique way. The Go-Getters was a gleefully foul play on the traditional buddy formula, and How to Plan an Orgy in a Small Town was a charming sex comedy. With James vs. His Future Self, LaLonde takes a swing at crossing science fiction with a romance – it’s a sweet success.