By: Nick Ferwerda To my surprise, Bitter Harvest – a film that was supposed to be about the Holodomor Genocide in the early 1930’s – is actually a mediocre love story. I didn’t say it was a good surprise.
Kiss and Cry is a lovely Canadian companion to Josh Boone’s crowd-pleaser The Fault in Our Stars.
Often, you’ll hear a film criticized for having a premise that’s more suited for a short film rather than a feature-length movie. Filmmaker Saul Pincus, who has a background in making shorts, has surely caught wind of this comment because you can see the mechanics in his latest breakout indie Nocturne try to dodge this nitpick.
By: Jessica Goddard The Space Between Us really wants to be a ground-breaking, memorable sci-fi love story, and maybe if it’d stuck to that alone, it would’ve been a better film.
I appreciate movies like Sean Mewshaw’s Tumbledown. As someone who is asked on a daily basis for movie recommendations, Tumbledown provides me with a safe, warm suggestion for easygoing audiences.
After a string of disheartening rom-coms, I really thought Better Off Single was going to cheer me up. It had a few good laughs out of the gate, and it was neat to see what Aaron Tveit could do with a sadsack role after wowing audiences in FOX’s Grease LIVE! as T-Bird Danny Zuko. Unfortunately, writer/director Benjamin Cox provides an excitable energy that becomes the film’s worst enemy.
Though magic realism isn’t anything new in cinema, there are few original scripts that get the genre right as deftly as Two Lovers and a Bear, the indie romance/drama that premiered earlier this year at the Toronto International Film Festival.
Welcome to this week in “Self-indulgent Millennial Indie Film”.
In Geordie Sabbagh’s indie A Sunday Kind of Love, the audience follows an aloof, cynical author Adam (played by Dylan Taylor) as he struggles through his writer’s block and procrastinates. His girlfriend Tracy (played by Meghan Heffern) tries to motivate him, but his moping is unstoppable. He retreats to a nearby coffee shop and meets Emma (played by Melanie Scrofano), who presents herself as an admirer and soon reveals that she’s actually, well, death (sans black cloak and scythe).
Geordie Sabbagh’s A Sunday Kind of Love hits its hometown at a great time. Canadian Film Day is just around the corner, and it joins the ranks of other exceptional Canadiana fare that you should celebrate on April 20.