On the Adamant, the latest endeavor from French documentary filmmaker Nicholas Philibert (The Land of the Deaf, Each and Every Moment, Nénette), is an almost deceptively subtle film. Following staff and clients of a psychiatric day centre on a floating structure in the Siene River in central Paris, On the Adamant combines slow, languid shots of the river (and the city that surrounds it) with interviews and scenes of the centre’s daily activities where patients paint, play…
Toronto filmmaker Sofia Bohdanowicz travels to Paris, France to tentatively live with a colleague’s mother, Juliane Sellam, in the documentary Maison du Bonheur, a boring film that never lives up to its experimental ambition.
Aleksandr Sokurov’s Francofonia is a spiritual successor to his innovative 2002 film Russian Ark, more so thematically than aesthetically. Russian Ark was a narrativized tour of The Hermitage that doubly served as a re-enactment of parts of Russian history. The most important fact about Russian Ark, however, is that it was shot entirely in one take – a formal element missing from Sokurov’s new film.
By: Addison Wylie It takes patience to mull thorough Mark Lewis’ Invention. However, even the calmest movie goers may find themselves jiggling their leg and looking at their watch. Invention features visual artist Lewis and a wandering, hovering camera (driven by cinematographers Bobby Shore and Martin Testar) visiting Toronto, Paris, and Sao Paulo. His feature film debut asks audiences to find fascination in minor details. The camera floats, locks in on open, negative space and waits for…