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Naomi Watts

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Ophelia

Sometimes, the most reassuring type of storytelling is the kind that unexpectedly reels you in with material you formally thought was uninteresting. Such is the case for Claire McCarthy’s Ophelia. As a viewer with limited knowledge (and interest) of the classic works of William Shakespeare, I couldn’t help but be swept up in the characters and drama of McCarthy’s reenvisioning.

Reviews

Demolition

Still hot off the success of his previous two accolade-winning films (Dallas Buyers Club [2013] and Wild [2014]), Jean-Marc Vallée explores similar themes in a less formulaic way with his latest dramedy Demolition.

Reviews

The Divergent Series: Allegiant

The Divergent film series – based on the Young Adult trilogy by Veronica Roth – immediately felt like a cash-in on the success of The Hunger Games film franchise.  Divergent is painful in its complexity: set in a typical YA post-apocalyptic future, Tris (Shailene Woodley) must navigate the walled city of Chicago, where factions are systemized by certain characteristics – Erudite is made up of the intelligentsia, Dauntless are warriors, etc.  Initiates take a test…

Reviews

St. Vincent

By: Addison Wylie You can’t start off discussing St. Vincent without leading in with everyone’s favourite movie buddy: Bill Murray. Bill Murray is a very tough actor to dislike.  He has a charm – an aura – that draws you in and makes you grin like a madman.  He’s one of those rare cases where you don’t mind if every character you see him play is – in fact – himself, because he’s immensely watchable…

Reviews

Adore

By: Addison Wylie To say Adore is a misfire would be putting it lightly.  A swan dive off the cliffs of good taste is more like it.  Adore is not only a wicked boo-boo filed under the heading “films that are just plain wrong”, but it’s a howlingly bad one. There were multiple times where Anne Fontaine’s film had me at a loss for words.  However, there were other scenes where Fontaine had me expressing…

Reviews

The Impossible

By: Addison Wylie The Impossible feels like a little-film-that-could because of its late release date. Which is funny because the film itself miraculously captures the intensity and the devastating outcomes of a cataclysmic tsunami – which is something big budget blockbusters long to do. J.A. Bayona’s The Impossible is a fantastic film with harrowing performances by Ewan McGregor, Naomi Watts (who has earned a well deserved Oscar nomination for her role) as well as the…