Latest

Indie

Reviews

Prodigals

By: Trevor Chartrand Michelle Ouellet’s Prodigals depicts a feeling as much as a narrative.  Based on a stage play of the same name, the film is about a group of 20-somethings reflecting on their lives, and coming to terms with the emptiness staring back at them.  While it may sound bleak and unsettling, the film isn’t without a few shimmering rays of hope.

Reviews

Hell’s Kitty

Hell’s Kitty, a film that has been assembled from a web series of the same name conceived by writer/director Nicholas Tana, makes for an amusing in-joke for horror hounds.  The cameos alone from iconic character actors are enough to make those fans beam.  For instance, The Hills Have Eyes’ Michael Berryman appears as a testy detective, while Heir’s Bill Oberst Jr. and The Shape of Water’s Doug Jones star as a devout duo who attempt to exorcize…

One-on-Ones

Wylie Writes’ One-On-One with Joyce Wong

By: Jessica Goddard Wexford Plaza was one of the best films of 2017, and it was also a finalist for the Toronto Film Critic Association’s award for Best Canadian Film.  As the film celebrates its home release on digital platforms, I reached out to writer/director Joyce Wong to ask about her feature debut, its universal story, and her personal connection to the film.

Reviews

Birdland

By: Nick van Dinther Some films can be accused of lazy storytelling and a lack of risk.  Well, neither apply to Peter Lynch’s Birdland.  Unfortunately, Lynch’s convoluted ambition makes Birdland a very difficult film to follow.

Reviews

Strawberry Flavored Plastic

Strawberry Flavored Plastic combines elements of found-footage horror and mockumentary to create a story about two documentarians (Nicholas Urda, Andreas Montejo) making a movie about a serial killer, Noel Rose (Aidan Bristow).  With testimonials, first-person video, and video conferencing, the audience learns how this “film” slips out from underneath its makers and how it goes awry.

Reviews

Considering Love & Other Magic

I didn’t believe anything in Considering Love & Other Magic.  These characters are so disengaged, you could set them on fire and all they would do is shrug.  They’re all too busy pondering about death;  mostly the long-term existentialism that lingers when a loved one passes away.  The press release describes Dave Schultz’s film as a “family movie”.  Try explaining that pitch to your kids.  You’ll owe them ice cream after the show.