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Considering Love & Other Magic

I didn’t believe anything in Considering Love & Other Magic.  These characters are so disengaged, you could set them on fire and all they would do is shrug.  They’re all too busy pondering about death;  mostly the long-term existentialism that lingers when a loved one passes away.  The press release describes Dave Schultz’s film as a “family movie”.  Try explaining that pitch to your kids.  You’ll owe them ice cream after the show.

Reviews

Lady Bird

By: Trevor Chartrand The meandering narrative of Lady Bird, though at times unfocused and opened-ended, is both heartwarming and humorous as it examines the life of a struggling teen overwhelmed by dysfunction and her perceived notion of persecution at every turn.  An offbeat coming-of-age comedy, Lady Bird wonderfully depicts the innocence of youth in search of love, purpose, and acceptance in a confusing and changing world.

Reviews

White Night

There’s an art project titled White Night.  It’s a collaborative between five filmmakers (Sonny Atkins, P.H. Bergeron, Brian Hamilton, Matt Purdy, Dan Slater) and it chronicles six fictitious stories during Toronto’s Nuit Blanche – an all-nighter dedicated to art.  One of the characters, a struggling artist named Emily, contributes a cumbersome piece made entirely out of stacked cardboard boxes.  People pass by and heckle at it, while Emily fumes and eventually releases the tension through a…

Reviews

Hunting Pignut

Written, directed, and produced by Martine Blue, Hunting Pignut is the story of Bernice, played by Taylor Hickson (Aftermath, Deadpool), a teenager in a rural Newfoundland community.  She is a typical teenage misfit: lonely, bullied at school for no obvious reason, and picked last at sports.  When Bernice’s estranged father dies of a drug overdose, his wake is crashed by a gang of gutter punks claiming to have been his closest friends – one of…

Reviews

Crackerhead

I like Crackerhead, but this latest experimental experience from filmmaker Mike Klassen is making me sweat – it’s a tough movie to review if you can’t crack through Klassen’s poker face.  The film’s flippant facade has anarchy written all over it, but the drive behind Klassen’s directorial decisions and stylistic storytelling suggests a deeper, poignant project.