Indie

Reviews

Acquainted

Acquainted is the type of indie that wants to say something profound about romance.  Little does writer/director Natty Zavitz know, dozens of other movies have beat him to the punch.

Reviews

We

By: Trevor Chartrand Director Mani Nasry has made a very personal film with We, and it’s certainly commendable, brave even, to see how transparent this young director has been in making the film – I suspect we’re getting a deep look into his mind, his personal philosophies and hardships.  Nasry and his crew deserve a lot of respect for what their film is trying to do – however the finished product is far from flawless.

Reviews

The Miseducation of Cameron Post

As people grow up, ideas are suggested to them from various sources to help craft their life in a certain way.  However with The Miseducation of Cameron Post, co-writer/director Desiree Akhavan makes an argument about the search for personal individuality which is not only liberating, but absolutely valid.  Adapting Emily M. Danforth’s novel of the same name, Akhavan shows audiences that no matter what customs or beliefs are enforced onto another person, their voice and personality…

Reviews

Prodigals

By: Trevor Chartrand Michelle Ouellet’s Prodigals depicts a feeling as much as a narrative.  Based on a stage play of the same name, the film is about a group of 20-somethings reflecting on their lives, and coming to terms with the emptiness staring back at them.  While it may sound bleak and unsettling, the film isn’t without a few shimmering rays of hope.

Reviews

Hell’s Kitty

Hell’s Kitty, a film that has been assembled from a web series of the same name conceived by writer/director Nicholas Tana, makes for an amusing in-joke for horror hounds.  The cameos alone from iconic character actors are enough to make those fans beam.  For instance, The Hills Have Eyes’ Michael Berryman appears as a testy detective, while Heir’s Bill Oberst Jr. and The Shape of Water’s Doug Jones star as a devout duo who attempt to exorcize…

One-on-Ones

Wylie Writes’ One-On-One with Joyce Wong

By: Jessica Goddard Wexford Plaza was one of the best films of 2017, and it was also a finalist for the Toronto Film Critic Association’s award for Best Canadian Film.  As the film celebrates its home release on digital platforms, I reached out to writer/director Joyce Wong to ask about her feature debut, its universal story, and her personal connection to the film.