There’s an art project titled White Night. It’s a collaborative between five filmmakers (Sonny Atkins, P.H. Bergeron, Brian Hamilton, Matt Purdy, Dan Slater) and it chronicles six fictitious stories during Toronto’s Nuit Blanche – an all-nighter dedicated to art. One of the characters, a struggling artist named Emily, contributes a cumbersome piece made entirely out of stacked cardboard boxes. People pass by and heckle at it, while Emily fumes and eventually releases the tension through a…
Written, directed, and produced by Martine Blue, Hunting Pignut is the story of Bernice, played by Taylor Hickson (Aftermath, Deadpool), a teenager in a rural Newfoundland community. She is a typical teenage misfit: lonely, bullied at school for no obvious reason, and picked last at sports. When Bernice’s estranged father dies of a drug overdose, his wake is crashed by a gang of gutter punks claiming to have been his closest friends – one of…
Sundowners is an exceptional movie headlined by two unexceptional people – hey, their words. Not mine.
I like Crackerhead, but this latest experimental experience from filmmaker Mike Klassen is making me sweat – it’s a tough movie to review if you can’t crack through Klassen’s poker face. The film’s flippant facade has anarchy written all over it, but the drive behind Klassen’s directorial decisions and stylistic storytelling suggests a deeper, poignant project.
This Summer, audiences will be able to experience A Ghost Story as it opens in various cities across Canada. This unique film from writer/director David Lowery (Pete’s Dragon) is about love, loss, and longing for connection, and also features two outstanding performances by Casey Affleck and Rooney Mara.
The Bad Batch is a gnarly postmodern western.
Jude Klassen’s feature film debut Love in the Sixth is a hodgepodge of “stuff”, but I kind of expected that.
The Transfiguration has an extraordinary premise. Judging by the way it’s carried out though, writer/director Michael O’Shea doesn’t realize just how special it is.
Life can fluctuate, and I believe that’s the point Win It All is trying to make. Then again, filmmaker Joe Swanberg may have just set out to make a straightforward character study, in which case that works too.
Movies can be delicious, such as this year’s rom-com Bakery in Brooklyn. Despite the fresh food, the charming chemistry between the two leading women is what made the film buoyant. On the other end of the scale, you have Menorca, which is deliciously bad. This film feeds us so much camp, we’re begging for more when the movie begins to clam up.