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Indie

Reviews

Suze

With only two features under their belt, married filmmakers Dane Clark and Linsey Stewart have demonstrated that a story can be singlehandedly developed on a unique and personal dynamic between two characters. While their debut indie I Put A Hit On You may have fizzled after liftoff, their sophomore effort Suze shows growth in all the right areas; resulting in an absolute crowd-pleasing charmer.

Reviews

Love in Dangerous Times

Written and directed by Jon Garcia, Love in Dangerous Times is among the first of what is sure to be a plethora of pandemic-themed projects that will emerge over the coming months, and even years.  Written and filmed entirely in lockdown, the film follows Jason (Ian Stout), a struggling playwright searching for love in the early days of the coronavirus pandemic.

Reviews

Battle Scars

I don’t think it’s always required for a filmmaker to have an opinion about war if their movie is about war. Sometimes, the movie simply exists to entertain or educate about a significant historical event. But, if a filmmaker was to tell a story about the effects of war (primarily the long-term psychological impact), I feel like the filmmaker should use the platform to send a message about the value of combat.

One-on-Ones

Wylie Writes’ One-On-One with Kire Paputts

Director Kire Paputts follows up his modest feature debut The Rainbow Kid with The Last Porno Show, an envelope-pushing character drama chronicling the personal arc of an aspiring actor taking over his estranged father’s faded adults-only move theatre.  It’s a really good movie that doesn’t shy away from anything and bares it all.  It stuck to me like shoes to the floor of a sold-out screening room.

Reviews

The Rest of Us

The Rest of Us needs a low triple-digit runtime, but sets up a needless challenge for itself to tell its story in under 80 minutes.  What’s the hurry?  And if filmmaker Aisling Chin-Yee has to compromise the narrative with condensed scenes and sharp edits to win the challenge, what’s the point?

Reviews

Space & Time

There seems to be an unhealthy trend of shooting and wrapping film productions within a short time frame (A Fall from Grace, Appiness).  But for Toronto indie Space & Time, writer/director Shawn Gerrard sees the appeal of a patient process.  Space & Time has been shot over the period of 11 months;  allowing the film to naturally capture the passage of, well, space and time.  This lends a potentially special quality to the film’s story…