Eric Roberts

Reviews

Blackbear

The synopsis of Blackbear vaguely reminds one of the 2006 film Annapolis–a film that, if you recall (and if so, good for you), was marketed as a recruit training film in the vein of A Gentleman and an Officer, but was actually, secretly, a boxing film.  Blackbear is similar: it starts off as a war film, with the two central characters as captives by ISIS, only to quickly become a boxing film within the film’s…

Reviews

The Red Maple Leaf

In Frank D’Angelo’s The Red Maple Leaf, special agent Alfonso Palermo (D’Angelo) asks potential suspects to “indulge him” during interrogations.  I’ve heard some describe D’Angelo’s filmmaking as indulgent, which is why I smirked whenever Palermo asked this.  Whether this was a cheeky wink toward critics is a mystery, and will probably remain unanswered.

Reviews

Sicilian Vampire

Just like staring at an inkblot, “random” and “strange” are the first words that spring to mind if I had to describe Frank D’Angelo’s Sicilian Vampire to movie goers.  However, the oddities give D’Angelo’s film a fever dream allure – it’s entertaining one way or another.