Family films that feature kids “makin’ all the rules” isn’t exactly fresh or inventive. So, why did I like Yes Day so darn much when I know that it follows this same template? Did this sub-genre improve? Have I gotten softer? While these reflections are valid, it sounds like I have to blame either the movies that came before this one or myself to justify liking Yes Day. Embracing Yes Day shouldn’t be driven by…
Jonathan Jakubowicz’s Resistance comes at a time of surging interest in more action-oriented films relating to the Holocaust, World War II, anti-Semitism, and Nazism. Unlike recent media like Amazon’s Hunters and HBO’s The Plot Against America, Resistance doesn’t participate in any overt historical or genre revisionism, though it is hard to ignore its slight devotion to the thriller genre.
Suicide Squad director David Ayer reunites with Will Smith to bring at-home audiences Bright, a Netflix Original action movie that blends “cop drama” and “buddy comedy” but exists in a fantasy amongst the mystical company of fairies and orcs.
Directed by Stephen Gaghan (Syriana) and written by Gaghan, Patrick Massett, and John Zinman, Gold is loosely based on the true story of the 1993 Bre-X mining scandal. Matthew McConaughey stars as down-and-out prospector Kenny Wells who stakes (no pun intended) his last penny on a partnership with a struggling geologist. Together, the two men venture into the jungles of Indonesia in search of gold.