Drama
Sicilian Vampire
Just like staring at an inkblot, “random” and “strange” are the first words that spring to mind if I had to describe Frank D’Angelo’s Sicilian Vampire to movie goers. However, the oddities give D’Angelo’s film a fever dream allure – it’s entertaining one way or another.
The Reflecting Skin
British filmmaker Philip Ridley’s The Reflecting Skin hasn’t screened in Toronto since its Canadian premiere at TIFF in 1990. Given its vibrant formalism and unconventional approach to genre, Ridley’s first feature simply may have been unable to find a broader audience. However, the film works well for cult film audiences.
Pride and Prejudice and Zombies
Burr Steers’ Pride and Prejudice and Zombies arrives at an awkward time for horror mash-ups.
One Floor Below
I’m compelled to call the Romanian drama One Floor Below a “one man show” since it features a solitary character (Sandu played by Teodor Corban) dealing with a possible murder he heard from outside an apartment, and how he handles confrontation with the alleged suspect. The camera is focused on him, and Corban does follow through with his end of the deal – he’s very believable.
Little Terrors
I remember watching Hany Abu-Assad’s terrorism drama Paradise Now, and feeling genuinely moved by it. I was on edge and even heartbroken at times. Even though I can’t recall the 2005 Oscar contender beat-for-beat, I can still recognize those emotions years later as if I saw the movie last week.
The Hateful Eight
The Hateful Eight is, fittingly, Quentin Tarantino’s eighth film, and by far his weakest.
The Lady in the Car with Glasses and a Gun
In Joann Sfar’s triply thriller, Dany (an insecure secretary played by Freya Mavor) decides to throw caution to the wind soon after her boss (Benjamin Biolay) and his wife (Nymphomaniac’s Stacy Martin) arrive at an airport.